Kamasi Washington announces massive UK and European ‘Fearless Movement’ 2024 tour

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Kamasi Washington has announced a 2024 UK, Ireland and European headline tour – find all the details below.

The LA jazz multi-instrumentalist will hit the road in Europe this autumn in support of his new studio album ‘Fearless Movement’, which is due for release on May 3 via Young (pre-order here).

Kicking off in Rome on October 3, that leg also includes stop-offs in Milan, Barcelona, Madrid, Lisbon, Porto, Bordeaux and Paris in the first half of the month.

From there, Washington will head to the UK and Ireland for shows in Manchester, London, Cardiff, Gateshead, Leeds, Glasgow and Dublin.

An additional run of European gigs is scheduled to take place between October 28 and November 17, including stops in Brussels, Warsaw, Krakow, Amsterdam, Berlin and Oslo.

Tickets go on general sale at 10am BST this Friday (April 19) – you’ll be able to buy yours here (UK and Ireland) and here (Europe). Alternatively, fans can access a pre-sale at the same time tomorrow (Thursday, April 18) by pre-ordering ‘Fearless Movement’ here before 6pm BST today (17).

You can see the full list of shows in the announcement post below.

 

Kamasi Washington’s 2024 UK and Ireland tour dates are:

OCTOBER
15 – Albert Hall, Manchester
16 – O2 Academy Brixton, London 
17 – University Great Hall, Cardiff
20 – Glasshouse International Centre For Music, Gateshead
21 – Project House, Leeds
22 – Barrowland Ballroom, Glasgo
23 – Olympia Theatre, Dublin 

The newly confirmed shows will follow Washington’s North American tour this spring/summer.

He has described the forthcoming ‘Fearless Movement’ as his dance album: “It’s not literal. Dance is movement and expression, and in a way it’s the same thing as music – expressing your spirit through your body. That’s what this album is pushing.”

The record features the likes of André 3000 on flute, George ClintonBJ The Chicago Kid, D-Smoke and Taj and Ras Austin of Coast Contra, Thundercat, Terrace Martin, Patrice Quinn, Brandon Coleman and DJ Battlecat.

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Common Reveals Which Iconic Kanye West Beats He Turned Down

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Common is a legend. He's been around since 1992, and has multiple classics under his best. One of these classics is partially due to Kanye WestBe is a perfect blend of Com's lyricism and West's beats. They were inseparable in the 2000s, but the way the former tells it, he could have had even more West beats during this period. The Chicago rapper recently went on the podcast 7PM In Brooklyn, and rattled off a staggering number of Kanye West demos that he decided to pass on. Some of which went on to be hits for other artists.

In total, Common told the 7PM hosts that he passed on roughly ten West beats during the mid-2000s. It may not sound like a lot, given that West was Mr. "ten beats a day for three summers," but it's the quality of the beats that really struck the hosts. Common turned down "Dreams" and "Wouldn't Get Far," which would go on to become iconic songs for The Game in 2005 and 2006, respectively. The latter was even a single off Game's sophomore album, Doctor's Advocate. Common also passed on the chance to rap over "Heard 'Em Say," which became the opening song on West's 2005 masterpiece, Late Registration.

Common Claimed The Beats Didn't Match His Vision

"The song, 'Heard 'Em Say,' he made that beat for me," the rapper revealed. "It was like, he made that beat, and I was like 'This beat is dope.'" Common explained that he was impressed by the musicality of the beat itself, but felt that it didn't match with the sound he had in mind for Be. He claimed that West then wrote the lyrics to his version of the song (the one we know) in ten minutes flat. "I promise you he wrote that song in ten minutes," Com said. "I sat there and watched this man write this song. He made the beat, and I was just like, 'This is meant for you.'"

Common also threw in "I Wonder" and "Everything I Am" as beats that he passed on. Both turned up on West's 2007 album Graduation. The latter reportedly dated back to the Late Registration sessions, which wasn't previously known. "Everything I Am" is perhaps the most famous example of Com passing on a K. West beat, however.

The controversial rapper even incorporated the decision into the chorus of the song. "Common passed on this beat I made it to a jam," he spit. "But everything I'm not made me everything I am." Given the hits that materialized for The Game, West, and Common, we'd say everybody made out just fine.

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