COI LERAY REVISITS NICKI MINAJ SPAT, SUGGESTS LABELS ARE BEHIND FEMALE RAP BEEF

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Coi Leray believes that major music labels benefit from female rappers going at each other since she can’t make sense of it otherwise.

On Saturday (April 27), the New Jersey rapper took to X (formerly known as Twitter) and shared her thoughts on the tensions between her peers of the same gender.

“Idk if you ask me it seem like these labels are behind the female controversy,” she wrote. “They see it helps push the music , I wouldn’t be surprised if they the ones behind the fan pages.

“Most of these female rappers not even from the same places !!!! Not from the same hoods….why are we beefing?”

 

 

A social-media user subsequently commented on the second tweet by alluding to her now-resolved tension with Nicki Minaj, writing: “Most of them like you, do it to get Nicki minaj support and then when she turns on you.. you don’t have any support from any fan base.”

In response, the 26-year-old wrote: “Yall so stupid. me and Nicki spoke behind the scenes, personally, and I never brought that to the public . Business ain’t work out, that’s okay. I still wish her nothing but the best and blick blick is one of the greatest videos that will be in history.”

 

In 2022, Leray and Nicki joined forces on “Blick Blick,” but the journey to the song’s release was anything but smooth — in fact, it almost didn’t happen at all.

During a brief Q&A with her Twitter followers that year, the New York City native revealed that she pulled the plug on the collaboration at one point after her peer’s father, infamous rapper and businessman Benzino, ruined the surprise by announcing the song ahead of time.

The diamond-certified rap queen said she faced pressure from her label to go back on her decision, but it was ultimately a “private conversation” with Coi that convinced her to change her mind and green-light the song.

“I did pull it,” she wrote in response to a fan asking her about her feature verse on the aforementioned joint. “But the label hit me going hard. But rlly I had a private convo w|coi & that’s what changed my mind. Not the label.”

She added: “I just felt bad that she was robbed of telling the world in her own way @ her own time. But that’s water under the bridge now. Good vibes all 2022.”

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Common Reveals Which Iconic Kanye West Beats He Turned Down

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Common is a legend. He's been around since 1992, and has multiple classics under his best. One of these classics is partially due to Kanye WestBe is a perfect blend of Com's lyricism and West's beats. They were inseparable in the 2000s, but the way the former tells it, he could have had even more West beats during this period. The Chicago rapper recently went on the podcast 7PM In Brooklyn, and rattled off a staggering number of Kanye West demos that he decided to pass on. Some of which went on to be hits for other artists.

In total, Common told the 7PM hosts that he passed on roughly ten West beats during the mid-2000s. It may not sound like a lot, given that West was Mr. "ten beats a day for three summers," but it's the quality of the beats that really struck the hosts. Common turned down "Dreams" and "Wouldn't Get Far," which would go on to become iconic songs for The Game in 2005 and 2006, respectively. The latter was even a single off Game's sophomore album, Doctor's Advocate. Common also passed on the chance to rap over "Heard 'Em Say," which became the opening song on West's 2005 masterpiece, Late Registration.

Common Claimed The Beats Didn't Match His Vision

"The song, 'Heard 'Em Say,' he made that beat for me," the rapper revealed. "It was like, he made that beat, and I was like 'This beat is dope.'" Common explained that he was impressed by the musicality of the beat itself, but felt that it didn't match with the sound he had in mind for Be. He claimed that West then wrote the lyrics to his version of the song (the one we know) in ten minutes flat. "I promise you he wrote that song in ten minutes," Com said. "I sat there and watched this man write this song. He made the beat, and I was just like, 'This is meant for you.'"

Common also threw in "I Wonder" and "Everything I Am" as beats that he passed on. Both turned up on West's 2007 album Graduation. The latter reportedly dated back to the Late Registration sessions, which wasn't previously known. "Everything I Am" is perhaps the most famous example of Com passing on a K. West beat, however.

The controversial rapper even incorporated the decision into the chorus of the song. "Common passed on this beat I made it to a jam," he spit. "But everything I'm not made me everything I am." Given the hits that materialized for The Game, West, and Common, we'd say everybody made out just fine.

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