Fans Accuse Kendrick Lamar & Baby Keem Of Stealing Drake’s “Sticky” Flow

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Fans on social media are accusing Kendrick Lamar and Baby Keem of biting Drake’s flow from his Honestly, Nevermind track, “Sticky,” for their new single, “The Hillbillies.” On the track, Lamar interpolates the song while also sampling Bon Iver’s 2020 single, “PDLIF.”

As Lamar raps, “Messy, get them girls off the stage, ’cause somebody’s gonna get taken,” he appears to be referencing Drake’s line, “Ayo Eric, bring them girls to the stage, cause somebody’s getting paid.” Fans online quickly made note of the similarities. “Kendrick Lamar and Baby Keem used Drake’s Sticky flow and this is how it came out,” one fan tweeted. Another remarked: “Yooo everyone fucking with that new Kendrick!! Now give Drake his credit for predicting dance music was the new wave cause Hillbillies is just Kendrick’s version of Sticky.”

Kendrick Lamar At Rolling Loud

MIAMI GARDENS, FLORIDA – JULY 24: Rapper Kendrick. Lamar performs onstage during day three of Rolling Loud Miami 2022 at Hard Rock Stadium on July 24, 2022 in Miami. Gardens, Florida. (Photo by Jason Koerner/Getty Images)

Other fans argued that Lamar was trying to diss Drake by using his flow. “How these dumbass drake fans can’t see that kendrick is not jacking drake he’s CLOWNING HIM,” one wrote. Either way, Lamar and Keem weren’t trying to be subtle with the references to “Sticky.” Keem directly noted the track in a tweet on Tuesday.

“The Hillbillies” is the latest of several tracks Lamar and Keem have teamed up for in recent years. They’ve collaborated on “N95,” “Die Hard,” “Range Brothers,” “Savior,” “Nile,” and “Family Ties.” For the latter, the pair took home the Grammy Award for Best Rap Performance.

Fans React On Twitter

Also of note in the new music video, Tyler, the Creator makes a cameo appearance to announce the return of Camp Flog Gnaw. In doing so, he displayed a “Camp Flog Gnaw 2023” button on a jacket in front of Dodger Stadium in Los Angeles. No further details have been provided as of now.

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Watch Fontaines D.C. sing Antonio Vega’s ‘Tesoros’ in Spanish in Madrid

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Fontaines D.C. covered Antonio Vega’s ‘Tesoros’ in Madrid on Saturday (November 2), with guitarist Carlos O’Connell singing the song in Spanish.

The Irish band have just started the European leg of their ‘Romance’ tour, in support of their fourth album of the same name, and arrived in the Spanish capital’s WiZink Center armed with something special for the local crowd.

As the below fan-captured clip demonstrates, the band played a version of ‘Tesoros’, a track from Spanish singer-songwriter Antonio Vega’s first album ‘No Me Iré Mañana’ in 1991, with O’Connell, who is half Spanish, taking on two of the song’s verses in its original language while strumming an acoustic guitar.

 

Fontaines D.C. played in Madrid:

‘Romance’
‘Jackie Down The Line’
‘Televised Mind’
‘A Lucid Dream’
‘Roman Holiday’
‘Big Shot’
‘Death Kink’
‘Sundowner’
‘Big’
‘A Hero’s Death’
‘Here’s The Thing’
‘Tesoros’
‘Bug’
‘Horseness Is The Whatness’
‘Nabokov’|
‘Boys In The Better Land’
‘Favourite’
‘In The Modern World’
‘I Love You’
‘Starburster’

This week, the band announced a new slate of headline US dates for 2025, consisting of 18 dates in April and May. Tickets are on sale for the shows now – see the full list of dates here and find your tickets here.

Before that, Grian Chatten and co. will embark on their 2024 UK and Ireland headline tour, which is set to take place in November and December. That stint includes two nights at Alexandra Palace in the capital.

In addition, the band have announced a massive headlining show at Cardiff Castle for late July 2025. It joins two other already announced huge shows for next year, the first at London’s Finsbury Park, which is due to take place on Saturday July 5. It will mark their biggest headline performance to date, with support coming from Amyl And The Sniffers and Kneecap.

Shortly after that, they’ll head to Wythenshawe Park in Manchester on August 15, where they will be joined by English Teacher and Kneecap once again. The outdoor venue has a total capacity of 26,000 fans, and tickets went on sale earlier this month.

This summer, ‘Romance’ arrived and marked their fourth album and first with new label XL Recordings. In a glowing five-star review of the James Ford-produced record, NME shared: “‘Romance’ offers moments of wonder and gravity while also feeling occasionally foreboding.”

For the direction of the album, the band told NME they wanted to implement a distinct move away from the rockier sound of their debut album, ‘Dogrel’.

“To be creatively understood by too many people feels like flies settling all over your clothes and all over your face. Every now and again you have to fucking shake them off, just to see who you are again. That’s what we wanted to do,” he said.

The band have recently been hailed by Elton John as “the best band out there at the moment”, and last month announced new tour dates for Japan, Australia and New Zealand.

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