Overcomer sweetens music industry with ‘Southern Charm’ – a vibe for everybody

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MYRTLE BEACH, NC – At a music genre crossroads, Zay Grastley has merged Country, Southern Rock, Rap and Pop … he says it feels like home.

Though he hops from coast to coast “like a gypsy,” Zay is a country boy at heart and can’t deny the well-versed music language that’s shaped his style into what it is today … And sometimes, that looks like dropping rap lyrics on a farm – as seen in his “Southern Charm” music video that’s crested 59K views in three months on YouTube.

“I hope everybody picks up on it,” Zay said. “A lot of people have said ‘it’s the one you didn’t expect.’ And it’s true. It’s really surprised me how much people like it ... I’ve had people message me, sayin’ ‘you look fun!’ It’s all about Southern Charm.”

Listeners from all walks of life can enjoy Zay’s vibe, which makes perfect sense because it was a wide range of music lovers who influenced his life growing up. His roots are from a single-parent home, faced with numerous obstacles including a stutter. He spent most of his time with family members – especially his grandfather, who inspired Zay to overcome his stutter with music.

“Every single person had a different genre I was listening to and I found something I liked in every one,” Zay said. “It all soaked in. I would get Meat Loaf and Ozzy Osbourne from one relative, then I’d go home to Mom and I’d get Motown Blues and Deep South Liquor House Music. My grandfather liked 60’s Do-Wop bands – so music was based on whoever I was around. I never tried rap until later in life because of my stutter. I didn’t like my voice. I would get picked on for it, but I realized once I started to sing, I wouldn’t stutter. My grandfather said, ‘If you sing to them, you’ll make them shut up. Sing it!’”

Zay was about 12 years old when he started to show his talent in singing and songwriting, but it didn’t truly re-emerge until later in life when Zay was serving a prison sentence. At the time, it was mostly in Rap style, and he performed for crowds of inmates.

“I didn’t even realize, but every time I sang, more people would come out to listen,” Zay said. “We would set up for a show just to see people’s reaction … Crazy thing is, going to prison isn’t something I glorify but I got out for a purpose. I was in for a 20-year sentence and served 12 years and 10 months of it. I wasn’t supposed to get out until 2024 but I was out in 2017 because they looked at my case again. I just broke down. I was crying. Nobody was expecting me to get out.”

Today Zay’s heart is full gratitude and a renowned sense of determination as he keeps making strides in the music industry. After a live performance in Atlanta, a fan approached Zay to connect him to another artist with a similar sound – C’ing Jerome. It didn’t take much to get the two artists together. Zay opened for his show in Nashville recently and they’re collaborating on a new song. “Bird on the Barn” will be released later this summer.

“It’s a good friendship,” Zay said. “I finally feel like I’m doing [my music career] right. I’m taking precautions, doing the steps, making sure to do the research. I feel like my grandfather is up there smiling really big, telling me ‘I told you that you could do it.’”

Zay’s music is a victory song, but also a beacon of hope to others who have experienced similar struggles. He doesn’t like anybody teased for any kind of speech impediment, where they come from or job they do. (He’s spent a lot of time taking care of horses.) But mostly, he wants his listeners to engage in what he finds in music and art.

“I would tell anybody it doesn’t have to be music – it’s whatever brings them peace,” Zay said. “It might be something soothing like taking a deep breath. Just go to peaceful place. For me, music was the only way I could be comfortable in life. I told my mom, ‘One day I’m gonna make you all proud. I have no doubt I can do it.”

Be watching for several new music videos and releases from this artist this year. Make sure to stay connected to Zay Grastley on all platforms for new music, videos, and social posts.

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Dead Kennedys Guitarist Claims Jello Biafra Is Holding Back Potential Reunion

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Fans wishing for a reunion from the Dead Kennedys and Jello Biafra will have to petition the former singer, founding guitarist East Bay Ray has claimed.

Ray (whose real name is Raymond Pepperell) has served as the guitarist for the San Francisco punk icons since their formation in 1978, stepping away from his role only during the band’s inactive period between 1986 and 2001. 

Though the Dead Kennedys reformed in the 21st century, they’ve not once been fronted by Biafra, whose relationship with Ray and drummer Klaus Flouride (aka Geoffrey Lyall) remains fraught to this day. As Ray explained in a recent interview with Guitar World, he’s open to the concept of a reunion with the classic lineup, though Biafra remains the sticking point in any potential plans.

“It’s not an issue for me or Klaus,” Ray explains. “It’s Biafra that turns down any offers for us to do something; we don’t have any problem. He got caught with his hands in the till and wants to blame us for getting caught, but he should never have put his hands in there in the first place.

Ray’s claims relate to a 1998 lawsuit in which Ray, Flouride and drummer D.H. Peligro (aka Darren Henley, who would pass away in 2022) accused Biafra and his Alternative Tentacles label of withholding royalties. In 2003, Biafra was ordered by California’s Court of Appeal to replay the outstanding royalties with additional punitive damages.

Ray, Flouride and Peligro reunited the Dead Kennedys in 2001, with various singers fronting the band until the appointment of Ron “Skip” Greer in 2008. Attempts to reunite the classic members of the Dead Kennedys have taken place over the years, including by Chicago’s Riot Fest in 2017.

“Dead Kennedys had a sincere invitation to play a reunion show at Riot Fest in Chicago this fall,” Ray wrote on social media at the time. “Jello Biafra turned it down. Klaus Flouride, DH Peligro and I were looking forward to doing it.”

The Dead Kennedys’ original eight-year run resulted in a string of singles and four studio albums, including their 1980 debut Fresh Fruit For Rotting Vegetables. The conclusion of the band’s lawsuit in 2003 gave members the right to reissue past Dead Kennedys albums, including a 2022 release of their debut which left Biafra displeased.

“We actually wrote as a band, where in effect, due to the chemistry between us, it was a case of two and two equaling five, you know?” Ray rold Guitar World. “None of us has had a solo career that was bigger than Dead Kennedys, which, to me, shows the power of a bunch of talented people getting together and creating something that was far greater than the sum of its parts.

“Jello didn’t bring in the songs. I know he’s created the myth that he wrote them all, but the question here is that if he did, why didn’t he ever do anything significant after leaving the band?” he added. “Iggy left the Stooges and had a career; ditto Lou Reed with the Velvet Underground or Morrissey with the Smiths. Where’s Biafra’s solo career with a bunch of great songs?”

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