Dead Hendrix takes his punk/rap fusion in a new direction with “Till We Die”

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With his newest release, “Till We Die,” Dead Hendrix is turning his unique fusion of punk and rap more toward the melodic.

And, despite the title, fun.

“I really like this song,” he said. “This song is a good example of me growing into my artistry and my voice in how my vocal range and my singing ability has expanded. It’s a good song to showcase that.”

The beat comes and goes, in and out with the melodic line, the bass line is more subdued, and DH’s voice follows suit, singing here, rapping there, but with the weight in this song more hip-hop than punk.

“It’s definitely more melodic, a little less aggressive, just seeing what I can do with my voice and like trying a different aspect, a different side of Dead Hendrix. Still down in the same direction, but a different angle.”

Hip-hop musically, punk in theme, an assessment he agrees with.

We gon’ be here till we die
I’ve been in this world too long I’ve seen it from all sides
I see how you’re livin’ girl, I know you getting tired
Make up down your face and you got tattoos on your thighs
Tattoos on your thighs (’round me)

There are different sides to what I do, and right now I’m focusing more on the hip-hop side of me.”

DH is also growing into a more relaxed attitude. A lot of his music to date, he says, is aggressive, “like getting the chip off my shoulder.”

“I’ve grown a lot, making music. I still have a lot more growing to do, but ‘Till We Die’ is me just kind of making music and enjoying it — just doing it to enjoy it.”

He has made no secret of his history of mental illness and drug abuse, having featured in his music. Asked if the focus is becoming less therapy and more art, he said yes.

“I think that’s exactly what I did with this song specifically. It’s a good break to do that sometimes. It’s refreshing to make a song and just focus on the music instead of getting something off your chest, which is great, but it makes it a lot more serious.”

And “Till We Die,” musically and lyrically, is a fun song.

She say I’m a psycho
I say she a psycho
Really we just toxic like mercury and nitro
Hangin’ by a thread you know we livin’ on a tightrope

This new aspect in his sound will be a feature of a larger project he is working on, a mixtape called “Talk2TheDead.”

DH, who calls Ottawa and Toronto, Canada, his home base, is three years into his career as Dead Hendrix. He has worked with some big names, such as 3MFrench and Nell. Nell will be on the mixtape, and DH will be featured on a song in Nell’s coming tape “Tupac Juice.”

DH will also be performing around Canada and the United States.

One recent track, “Mustang,” has found wide popularity.

“I’m glad that people like ‘Mustang’ and that it is still doing well. Sometimes, when I’m busy with life or making music, it’s a great feeling to check on Spotify and SoundCloud and see people are still paying attention. That’s a really good feeling, but I’m definitely not taking the foot off the gas.”

“Talk2TheDead” is half-recorded.

“I’m dedicated to that mixtape, but it’s been a little while coming. Now the pieces are fitting together. I’m coming up with new stuff for it and songs from the past are fitting together.”

The tape will have a mix of the getting-stuff-off-your-chest and having-fun.

“There’s gonna be a balance,” he said, “but you’re still going to see that punk side. There are some songs that I’m excited to get out, one in particular where you will definitely hear the punk, but lots of other stuff is going to be there, too.”

The “other stuff” will include songs like “Till We Die.”

“There is a place for that kind of music. I might even go deeper that way. Actually, I definitely will. I think it’s good for me in personal growth and my music to make songs where I’m just focusing on the artistry and the music.”

“But,” he said, “there’s definitely more punk stuff that that is going to be released.”

Connect to Dead Hendrix on all platforms for new music, videos, and social posts.

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Nikena and her voice fire up her R&B dance track “Hold Me”

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To introduce herself to audiences in 2024, Jamaican/New York R&B artist Nikena wanted something sexy and fun, something people can dance to, vibe with. She wanted, really, a dance party wrapped in a song.

“Hold Me” is mission accomplished. The song is sultry, the video hot, and Nikena’s voice provides the fire.

“Initially, I just wanted an R&B track,” she said. “As I started writing it, I was thinking I want it to be more like meeting someone at the club, having a good time, and being that I’m from the islands, I wanted something with an island feel to it.”

Oh I really like your style
I'm loving your body language
Baby from across the room
Your energy is so magnetic

The intro is soft, dreamy and quick but not fast, building up to speed, and when the beat kicks in the song moves from beach to dancehall.

“I’m influenced by dancehall, and I wanted it to be about just like a fun time at the club, and I wanted it to have a sexy vibe.”

Her party days, her 25-year-old days, she called them, are past, but not very far past.

“I wanted that song to recreate my days of having fun, telling the story of two people checking each other out at the club and ending up having that moment together, because I remember growing up and partying and doing all that stuff.”

Hold me, hold my body, hold me
Hold me like you know me
To the rhythm of your beat

Nikena is an RN working full time in New York, but her dream has always been writing and performing her own music, inspired by R&B and pop legends like Rihanna, Beyoncé, Mariah Carey and Whitney Houston.

In 2019, she began actively working the dream. She first released “Hold Me” late last year. This year she is promoting it, partly because she has a superb video to accompany the track and because, “It is a great song, and it sounds really good in the car.”

Pounding the steering-wheel drum good.

“I think it’s something that people can cruise to, and because it is summertime, I want to promote it and get people to hear it, add it to their playlists, play it at events and, hopefully, it will build traction.”

She wants this song and its video to draw the kind of attention that can kick off a career. She has worked her music alongside the often grueling days that come with being an RN, and she continues to write songs, make music and perform in the tri-state area around New York City.

She writes her own lyrics and creates the melodies, then goes to her producers for the beats and finishing touches. Two more songs are written and done, and more are in various stages of progress. Her goal is at least an EP, maybe an album, this year.

“My songs are coming out really good,” she said. “My goal is to get a sponsor, because I have the ideas, and I have the projects, but it is a lot to do by myself as an independent.”

Her catalogue is small but full of great music, fun lyrics and her extraordinary vocal talent.

Producing the video “took everything, having to do the whole music video and then still writing and having to do promotion and everything.”

“But I’m very proud of the end result.”

The song is sultry, and the video, starring Nikena and friends, cranks up the heat. One long section illustrates a portion of the chorus that showcases her Jamaican roots.

Boy I know you like when me twist up my spine
Oh yeah yeah
Boy I know you like when me twist up my spine
To the rhythm of your beat

She says she gets questions about the meaning of this section. The closest American interpretation is “twerking.” The video could illustrate a dictionary definition.

Connect to Nikena on all platforms for new music, videos, and social posts.

“Hold Me,” YouTube
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