Wazziba Set to Drop Afro-pop and Hip-hop Fusion Single ‘Check-In’

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Rapper Wazziba sets the stage with his upcoming single “Check-In.” Mixing Afro-pop with down-south rap, Wazziba brings his authentic sound to the scene and invites listeners to join the party.

Hailing from Monrovia, Liberia, Wazziba relocated to Decatur, Georgia, where he developed his passion for music in the Atlanta scene. Counting on influences from Jay-Z to Kendrick Lamar, the rapper developed his sound over the years, releasing three albums/EPs and additional singles.

As a teenager, Wazziba enjoyed going to showcases and performing. One day, Wazziba’s introduction to recording came to him serendipitously via a new friend.

“When I turned 18, my friend was already an artist, and he came to me in my barbershop. We became friends and started recording in the studio.”

According to Wazziba, “Check-In” is an anthem. The single stresses the importance of “checking in” wherever you go.

“You watch out for people and offer peace,” shares the artist. “Check in when you come to the city. Basically, if you go to the city like Los Angeles, you gotta call people you know so you can get protected. You can’t just go to people’s city and not check in.”

“Check-In” was created to be a club banger, an invitation to all to get on the dance floor.

“It’s a party song,” says Wazziba. “You can sing to it, party to it. It’s repetitive.”

Compared to his previous work, the single focuses on a new, 2024 sound.

The single came to light when Wazziba connected with a producer on social media. While he works with many producers, this one had just the right beat to bring “Check-In” to life.

After a two-year hiatus from recording, shares the artist, “At first, it wasn’t coming naturally.”

“But then I started brainstorming, and it started coming back. I got into the flow.” It was during this flow state that Wazziba was able to finish the single and take pride in his work—particularly the bridge, which is his favorite part of the song.

“I’m a great artist, like Picasso,” shares Wazziba. “I want the opportunity to get in and make a great contribution to the scene.”

Listeners, get ready for a whole new sound.

Make sure to stay connected to Wazziba on all platforms for new music, videos, and social posts.

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Norman Collins revamps 4 decade old track in a catchy new rock single “I Wanna Rule Somebody” off the LP Front Porch Philosopher

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Norman Collins has put out a new potent rock track titled “I Wanna Rule Somebody,” which has been long in the works and now ready for the masses to hear on the new record Front Porch Philosopher.

“I wrote this song in 1981, believe it or not,” Collins said. “It’s like 40 years old. I’ve been playing it in various bands all this time, and we changed up the chorus a little bit, but I wrote the rhythm all the way back. I hadn’t heard it in any other songs, so I got a verse and some words, and the put bridge together. All my songs basically start with rhythm guitar.”

The LP has 10 tracks that range from straight ahead rock, to melancholic folky ballads, some funk with horns, and even a little bit of calypso style music to show the diversity that Collins beholds.

“There’s a nice mixture of rhythm and a change of pace from song to song,” he said. “If you listen to the song ‘That’s the Way It’s Got to Be’ and ‘I Wanna Rule Somebody’ you’d think it was two different people.”

Collins said the melody always comes first and sometimes it takes a while for the words to get to the end result. He will often spit out nonsense into a tape recorder, or jot it down on paper, without really thinking about the song and where it is heading.

“This one just kind of popped up,” Collins said of the new single. “I had this idea about trying to have power over people. It could be your annoying office worker, or a political dictator. Anyone really. But in a way it was a little bit about Jim Jones and the Peoples Temple. People who just wanted to have power to have people follow them. It just shows how insecure people can be to feel good about themselves.”

“I wanna rule somebody,
I don’t care about who it is”

Collins wants to make it clear that there’s no need to try to be powerful all the time. It’s important to just be happy the way you are, and not force people into your world.

“‘I don’t care who I use, it’s all the same to me’ is one of those powerful lyrics in the song,” he said. “That’s pretty much what these cults turn into. You know, I can choose who I want. I can let you in. You see it all over the world, really. That love of power.”

Collins has been playing music with countless bands, dabbling in all different styles, since he was a teenager. He moved from St. Louis to Nashville to play music when he was 19, and lived there for about three years touring with various top 40 bands. In 1971, Collins went on the road playing guitar with Rock and Roll Hall of Famer Hank Ballard, and wrote a funky track with him called “I’m a Junkie for My Baby’s Love.” At that time, you couldn’t say anything like junkie on the radio, and while Collins thought it would be a big hit, no radio station would play it.

From Nashville, he moved to Warrensville, N.J. to play with several well accomplished saxophone players before moving to Los Angeles. He played with various groups, but mostly worked at a gas station, he admitted. This was 1975, and Collins didn’t think there were enough places to play in the city. He moved up to San Francisco to play country guitar for a band called Hickory Switch and then one called Kingdom Come, and has lived there ever since.

“I was a pawn broker, and a school bus driver at one point,” he said. “All these jobs allowed me to play music during the week and on weekends. I wasn’t constricted by any jobs, but I was always in a band. I’ve been in a band since I was about 17.”

Collins met an arranger in Grass Valley, California named Paul Kraushaar, who can play just about any instrument. The two got to work and put out what Collins feels is an incredible album that was finished up this past May. Kraushaar plays everything except guitar (drums, piano, bass and keys) on the record.

Collins has been with his band, the Tumblers, for about five years, and all the songs on the new LP have been played tried and true for some time now.

While the LP features Collins and Kraushaar, the Tumblers in a live setting includes Ed McClary on drums and Tom McManus on bass. He said all their gigs are a little different, going from background music to a full on concert. Collins prides in the band being super tight and really bringing the songs to life.

“It’s a lot of fun with rhythm” Collins said. “I also have some new songs that I’m working on that I play with the band. It’s a little different and folky. I don’t like having two songs sound alike.”

Be sure to check out the music of Norman Collins, including the new LP Front Porch Philosopher, featuring “I Wanna Rule Somebody.”

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