Fans react to divisive new Man City kit, designed in collaboration with Noel Gallagher

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Manchester City fans have been divided over the club’s new 2024/2025 kit, featuring a font designed in collaboration with longtime City supporter Noel Gallagher.

The new font is a custom typeface based on Gallagher’s handwriting, which will be used for player names and numbers on the team’s kits. The former Oasis man wrote out the names of every member of the squad alongside each number. It also features the local 0161 area code as part of its detailing.

The kit will be worn by the Men’s First Team in every Champions League, FA Cup and Carabao Cup match in the 2024-25 campaign, but not Premier League matches which require kit to be worn with a standardised font.

Some of the fans aren’t happy with the look of the kit, with certain social media users suggesting it looks as bad as Comic Sans.

 

“I think my 9 year old daughter uses this font on her computer,” one fan joked. “Gimmick shit for a gimmick team,” another complained.

“I love a Noel Gallagher song but what the fuck does he know about typography,” a third wrote.

 

 

 

 

 

 

Although Gallagher has been vocal about his support for the team for years now and has a rich history with them, he did make headlines earlier this year after he was spotted refusing to do the Poznan in a sea of celebrating Man City fans.

It came as he attended the Man City vs Fulham game, which saw his beloved team win 4-0 and move them closer to the top of the Premier League table. However, unlike the huge swathe of Man City fans seen surrounding him in the footage, Gallagher refused to join in doing the move (where fans link arms, turn away from the pitch and begin bouncing).

After being called out by his brother and former Oasis bandmate Liam for his refusal to join in, Noel later shared a statement explaining that he didn’t take part as he was “still feeling the effects of a rather spectacular night out”.

In other news, Gallagher recently admitted that he’s still trying to “live up” to the success of Oasis‘ first two albums.

In a new interview with The Sunday Times‘ Culture magazine, Gallagher spoke about how doesn’t believe either himself or Liam Gallagher‘s solo material have matched the band’s 1994 debut ‘Definitely Maybe’ and 1995 follow-up ‘(What’s The Story) Morning Glory?.

“We went directly from the last night of the ‘Definitely Maybe’ tour to record ‘(What’s the Story) Morning Glory?’, and then spent the following 29 years – and counting – trying to live up to both albums,” he said.

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Tyler, The Creator is getting copyright strikes lifted so fans can react to ‘Chromakopia’ on social media

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Tyler, The Creator has revealed that he’s trying to get copyright strikes lifted so that fans can react to his new album in full on social media.

Following the release of his latest album ‘Chropmakopia’ in late October, fans of Tyler, The Creator have been sharing their reactions to the record on social media. However, many of said fans have begun experiencing copyright strikes and blocked for their content, with either the sound being removed from their videos, or the videos and accounts being taken down completely.

Now, the rapper has assured a fan on Instagram that his team are working on getting the copyright strikes lifted so that complete reactions can be shared on social media without penalty. In response to one fan flagging copyright bans, Tyler commented, per SleepingOnGems: “Gonna make sure the block gets lifted man, hit my squad up early this am”.

The fan later responded saying: “Video is up and all blocks lifted. Appreciate you helping”.

 

Earlier this year, in the midst of their heated feud, both Kendrick Lamar and Drake had waived all copyright stipulations from their diss tracks targeted at each other, resulting in the mass reacting and sharing of their songs on social media.

In May 2023, Grimes criticised the use of copyright in regards to music: “Copyright sucks. Art is a conversation with everyone that’s come before us. Intertwining it with the ego is a modern concept. The music industry has been defined by lawyers, and that strangles creativity.

“I think everything about copyright is problematic,” Grimes added. “There’s too much top down control. In the early days of TikTok there was a lot of weird music going viral, but now the gatekeeping stranglehold means less interesting stuff coming out.”

Tyler, the Creator performs on stage during the Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio, California, on April 13, 2024. (Photo by VALERIE MACON / AFP) (Photo by VALERIE MACON/AFP via Getty Images)
Tyler, the Creator performs on stage during the Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio, California, on April 13, 2024. (Photo by VALERIE MACON / AFP) (Photo by VALERIE MACON/AFP via Getty Images)

In the wake of the ‘Chromakopia’ release, Tyler has announced more dates for his massive ‘Chromakopia’ world arena tour. He’s added three shows in his hometown of Los Angeles, along with New York, Austin, and Seattle, while adding on to his European leg with another Paris date. Australia has also received three new shows on the tour.

In NME’s three-star review of ‘Chromakopia’, Fred Garratt-Stanley wrote: “Within the chaos [of the album], there’s beauty — the sensitivity of ‘Hey Jane’, the infectious hip-hop bite of ‘Thought I Was Dead’, the rising cacophonies of brass and percussion on ‘I Killed You’. But perhaps a less frantic approach would’ve benefited the listen overall.”

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