Sex Pistols and Frank Carter announce new ‘Never Mind The Bollocks’ UK tour dates

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Members of Sex Pistols and Frank Carter have announced more UK tour dates – you can find all the details below.

Carter first joined forces with Glen Matlock, Paul Cook and Steve Jones to play ‘Never Mind The Bollocks’ in its entirety to raise funds for Bush Hall in Shepherd’s Bush, west London. The venue was chosen after it came under threat when its owners revealed that it needed to raise £42,000 through crowdfunding to prevent it from losing its ability to host music.

The first sold-out show took place on August 13, with further gigs then announced on 14 and 15 following immense demand.

An “overwhelming response” to the gigs saw Sex Pistols and Carter later announce another live gig in the capital at the O2 Forum Kentish Town on Thursday September 26, which sold out in five minutes.

Frank Carter and Sex Pistols' Glen Matlock, Paul Cook and Steve Jones
Frank Carter and Sex Pistols’ Glen Matlock, Paul Cook and Steve Jones CREDIT: Press

Now, they’ve revealed they’ll be playing an extra four UK shows in September. They’ll kick off the tour in Nottingham on September 20, before heading to Birmingham (21), Glasgow (22) and Manchester (24). They’ll then wrap up the tour with the London gig on September 26.

“There was an overwhelming response on social media from fans asking to play different parts of the country,” Jones said on the new dates. “So guess what? It will be done. We will be tighter than a rat’s arse by the time we get to Kentish Town.”

Tickets go on sale Friday 23 August at 9am BST, and you can find them here.

Sex Pistols and Frank Carter 2024 tour dates:

September:
20 – Nottingham – Rock City
21 – Birmingham – O2 Academy
22 – Glasgow – O2 Academy
24 – Manchester – Academy
26 – London – O2 Forum Kentish Town

Frank Carter and Sex Pistols UK Tour Poster. CREDIT: Press
Frank Carter and Sex Pistols UK Tour Poster. CREDIT: Press

Speaking to NME earlier this year, Carter shared how the idea to collaborate came about. “I first met Steve [Jones, guitarist] back in Los Angeles in 2007 and we had a long chat about punk rock and what it means to be kicking against the pricks,” he said. “Then I eventually met all of them throughout the years. But when I got the call up for this, it was a very special moment. It’s still one that I’m cherishing and I feel very grateful for.”

He continued: “I think Paul [Cook, drummer] wanted to do something to support Bush Hall for quite a while now. Obviously, the venue has had some troubles, and like all small venues, it’s been suffering. It hasn’t had the support that it needed,” he added. “So Glen [Matlock, bassist] called me and said, ‘Look, we want to do this charity gig for Bush Hall, how would you feel about coming down and singing some songs?’

“I didn’t really think anything of it, so I was like, ‘Yeah, let’s see. We’ll give it a burn, do some Sham 69, maybe some Faces songs…’ and he was like ‘No, we’re doing ‘Never Mind The Bollocks’. I thought: ‘Oh fuck!’”

Frank Carter of Frank Carter & The Rattlesnakes performs in 2024
Frank Carter of Frank Carter & The Rattlesnakes performs in 2024. CREDIT: Matt Jelonek/Getty Images

Carter also spoke to NME about the importance of supporting grassroots venues. This comes after 2023 being the “worst year for venue closures” – with 125 grassroots gig spaces shutting down, causing a loss of 4,000 jobs, with 14,500 events no longer possible and 193,230 opportunities lost to musicians. It also arrives in light of a notion being made by MPs, who are pushing for a nationwide scheme of arenas and stadiums to pay back into the grassroots spaces.

“It’s important for me to support grassroots venues, always,” Carter explained. “Now though, it’s most prevalent because they’ve been so let down by the government. There is no funding for arts. No funding for the places where arts happen. Not only are those spaces important for entertainment, influencing younger musicians and giving a new generation of bands a place to go, but they’re also important for communities. That’s one of the main things that we’ve seen been absolutely obliterated under the Tory government.

You can check out the setlist and watch footage from the first Bush Hall show here.

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Tory Lanez's 'Prison Tapes' Hits Roadblock As Recording Equipment Gets Seized

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Tory Lanez‘s Prison Tapes series has likely come to an end as his recording equipment has been confiscated.

According to TMZ, the rapper’s studio equipment was seized by prison guards during a raid of his cell block at the California Correctional Institution, where he’s serving a 10-year sentence for shooting Megan Thee Stallion.

The news was confirmed by Ceasar McDowell, CEO of Unite the People and chief deputy on Tory’s legal team, who was informed by prison officials that inmates are strictly forbidden from having recording devices for various reasons.

Lanez launched Prison Tapes in July and released nine songs that were recorded behind bars, along with several other previously unreleased tracks from his Lost Tapes and Twitch Tapes series.

When announcing the weekly series, Tory said he had figured out a way to record music in prison while achieving the same high-quality sound as a professional studio.

“After about 20-something to 30-something fuck-ups and mistakes, me and my engineer have finally figure out how to record music over the jail phone and still keep the quality as professional as I had it on the street,” he said in a recorded phone call posted on Instagram.

“It’s over. I done cracked the fucking code, man. This means that not even these prison walls can stop me from dropping new music. It’s crazy! That being said, I’m about to start dropping hot heaps of coal on y’all head top. I’m dropping the all new ‘Free Tory’ playlist — it’s gon’ be updated every week with new music that I’m recording from prison in real time.”

He added: “This is the first of its kind and although God has already shown me that this moment is only temporary, it speaks testimony to the fact that no matter where they put me they can’t lock down my spirit, my ambition, my soul my passion nor my destiny!”

 

Tory was not exaggerating as fans were immediately stunned by the sound quality of his first Prison Tapes offerings, “Cell 245” and “Wish I Never Met You.”

“Tory Lanez really got some crazy quality on this song. You dead can’t even tell he did this over a prison phone,” one impressed listener wrote on X (formerly Twitter).

Another said: “How is Tory lanez song quality this good from jail[.] he wasn’t lying he cracked the code,” while a third fan joked: “They gave Tory Lanez a whole studio.”

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