The Kills’ Alison Mosshart reflects on Mark Lanegan tribute show: “A lightening bolt evening of love and adoration”

image

The Kills‘ Alison Mosshart has reflected on the star-studded Mark Lanegan tribute show that took place last week.

Mosshart along with the likes of Queens Of The Stone Age‘s Josh HommeDepeche Mode‘s Dave GahanPrimal Scream‘s Bobby GillespieChrissie Hynde and many more all took part in a tribute show in honour and celebration of the late former Screaming Trees frontman, QOTSA collaborator, grunge icon and solo pioneer’s 60th birthday at London’s Roundhouse back on December 5.

The ‘Future Starts Slow’ singer took to her official Instagram account and shared an image carousel featuring photos of the night. Reflecting on the show a week later (last night, December 5), Mosshart wrote: “It’s taken me a week a digest this gig and I still feel dizzy. It was such a lightening bolt evening of love and adoration for Mark, for Marks music, for the magical realm of music itself. I can’t remember a time ever being so nervous to perform. 6 pages of lyrics whirling in my head, rehearsals, pacing, singing days on end, my attempt to fully fall deep into the lyrics, marks mind, to sing them without thinking, to let them fly unencumbered through me, without falling down.”

 

 

She revealed that she stood at the side of the stage and watched Bobbie Gillespie “rip into Marks songs without any hesitation, as I ripped into my drink, trembling”, before going up to perform alongside guitarists James Walbourne and Troy Van Leeuwen, adding that she doesn’t remember anything else.

“The 4 songs I sang just happened… just as I prayed… without thinking, just boom out of the canon. Then I landed, back on the side, watching the rest of the show, everyone one by one adding to the gale force winds at The Roundhouse, their voices, their dance, the crowd so beautiful, glowing all the way up to the rafters,” she wrote.

Mosshart also shared that singing ‘Come To Me’ with Josh Homme was a highlight for her, saying that the song is “like floating on your back in the ocean and looking up at the stars” and adding that during that part of the show felt like “some holy communion”.

She continued: “For days after and in my sleep Mark’s songs kept playing in my head, rotating poetry, those enchanting melodies. I can’t thank Rich Machin enough for reaching out and asking me into the fold. It was a great honour to be there and an evening I will never ever forget. Just as Mark will never be forgotten. He left us with such a vast library of incredible music. Not a second wasted on earth. What a beautiful night.”

During the show, Homme took a moment to share: “As someone who got the pleasure of spending way too much time with Mark Lanegan, let me tell you he would have pretended to hate this,” Homme told the crowd, “but he would have loved to see you all here tonight,” before his duet with Mosshart.

After he and Mosshart embraced, Homme said: “This next song, when I’m gone, at my funeral which you’re all invited to (it’s next Thursday) I want this song played.” He then invited his hero Gahan back for an almighty ‘One Hundred Days’ closing the first set.

Speaking about the impact of the loss of Lanegan, Gahan recently told NME: “It’s time; you start thinking about time. I knew that Mark was struggling with his health and was trying to take care of that in various ways. I think everything just caught up with him. You get to a certain age where you find yourself asking, ‘Why does this hurt? Why can’t I do that?’ You don’t feel older in my mind, but you feel it.

“To me, losing Mark was the same as when Bowie went. You know: tick-tock, we’re not invincible, we’re not here forever, you’ve just got to enjoy the time you have. Give a little more time to your family and friends and be grateful for what you have. Mark struggled for years with his demons – as we all do, some of us more than others – but his songwriting and in particular his voice have been my companion for years.”

COMMENTS

Leave a comment

Celeste makes directorial debut with dark new ‘This Is Who I Am’ short film

image

Celeste has made her directorial debut for a short film accompanying her new single ‘This Is Who I Am’.

The song has been used as the title theme for the recent political thriller The Day Of The Jackal starring Eddie Redmayne.

Now, Celeste has unveiled the accompanying video, which was filmed in Winchester with a cast of collaboratives she chose herself, including the artist Edward Rollitt, choreographer Holly Blakey and designer Sonia Trefilova.

Per a press release, the film intended on depicting “the oppression women have faced throughout history, and their collective strength and resilience to overcome”, while also introducing two characters who will play a major part in her 2025 album.

“The initial thinking behind the idea is that there is a sense that we, as a people, are enduring a kind of suffering, perhaps due to a lack of connectivity among people in society,” Celeste said. “It has been my thinking for a long time now that we feel quite often that women are, or should be, the bearers of our comfort. But in the way our roles and lives have evolved, we are no longer the universal caregivers that keep a society functioning, feeling loved, nurtured, and in the safety of the metaphorical womb. I believe this has led to a level of frustration, of violence towards women. My hope is that the depiction of myself, although bound, shows a strength that defies the circumstance.”

Check out the video for ‘This Is Who I Am’ below:

When the song was first released last month, Celeste explained that it had “existed for a long time, and it felt almost unjust that circumstances didn’t allow it to come out four years ago”.

“Now, with everything aligning, this moment serves as a powerful acknowledgement of something that, back then, felt unresolved.”

Produced by Beach Noise (Kendrick Lamar), ‘This Is Who I Am’ follows on from the BRIT-winning and Mercury-nominated artist’s 2022 single ‘To Love A Man’.

Celeste’s debut studio album, ‘Not Your Muse’, was released in 2021. In a four-star review, NME wrote: “Whether up-tempo or morose, Celeste’s remarkable voice is the real show-stealer on ‘Not Your Muse’. It has supernatural qualities, turning already poetic lyrics into gut-punch moments.”

The LP was also featured in NME‘s 20 best debut albums of the year list.

Speaking to NME at the Mercury Prize 2021 (where ‘Not Your Muse’ was shortlisted), Celeste explained that she’d been progressing well with writing her second full-length record.

“I don’t want to feel compromised at all, artistically or creatively in the sound or in the lyrics,” she said of her new material at the time. “I just want to feel like it’s truly myself – that’s where I’m starting out with it.”

She continued: “So far, a lot of the songs have been written on acoustic guitar, which I quite like. With some, you don’t need to do any more to it than that. It’s probably going to be more natural and toned down.”

COMMENTS

Leave a comment