Rufus Wainwright: “I don’t preach”

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Mr. Wainwright, when did you realize that your family was different from other families?

My favorite story is, when I was a kid and I was in Montreal there was this news broadcaster. My mother and I saw her at the grocery store and I was like, “Mom! That’s Mutsumi Takahashi from TV!” And my mom was like, “Darling, I am far more famous than she is.”

What was it like growing up in such a musical family?

I was born and bred and almost expected to be some kind of creature of the stage. I seemed to be obsessed with it at a very young age. I was a total ham. There is a funny story about my sister Martha and I. When Martha was born, my mother had a very beautiful poetic image of her whole life in front of her – she saw this fan of life and started crying when Martha was born. It was very moving. But the day before I was born my mother had bought a ham and then the next day I weighed the exact same as the ham. (Laughs) We sang a lot when we were young. And my first crib was a guitar case.

What would have happened if you weren’t musically talented?

Well, there are family members who do not have particular musical talent and it was very difficult for them at first. But our music is a whole operation. We all help each other, especially with the whole industry collapsing and not selling records. For example, we do Christmas shows together to collect money for my mother’s cancer foundation. That’s when the whole family comes together and if everybody were up there singing, there would be nobody to take care of the business part of things.

What was your relationship to your mother like?

My mother and I had a very typical mother-son romance. (Laughs) We were each other’s everything for many years and my sister had to navigate around that great love. In the beginning it was Kate and I against the rest of the world.

“I came out in 1987. Nobody wanted to be gay back then. It was sort of a death sentence.”

How did your parents react to your homosexuality?

My sexuality was a big problem for both my parents. They were not particularly advanced in that respect. Even though they had lots of gay friends and they were liberal and all of that, the minute it came out they didn’t know what to do.

It was a lot different back then, culturally.

Yes, part of that trauma I also attribute to the time. Because I came out in 1987, when I was very young. Nobody wanted to be gay in 1987. It was sort of a death sentence. But my parents could have done a lot better. My grandparents were actually much better. Especially my grandmother on my father’s side. She was the only one to call me up and say, “I heard you’re gay and it’s fine. Don’t worry about it. I’m there for you.” They were very helpful.

How long did it take until your parents grew to accept it?

My father is fine with it. My mother, oddly enough, I don’t know if she ever totally accepted it. But she certainly enjoyed all the perks: the trips to Paris, the nights at the opera, the clubs, the wine. We still spent most of our time together and she loved it every day. I think my mother wasn’t always so secure about her sexuality either. Sometimes that’s the issue, too. Do parents know and are they sure they’re straight?

Did she meet your husband?

She did. They met and they loved each other. I think that was her big peace flag. It was accepting my husband.

Perhaps, as a parent, she just wanted her kid to have as easy a life as possible.

Yeah. That was probably an element too. Being gay is so different now than it was when I was younger. It has become difficult to translate. A lot of it had to do with being counter-culture and unpredictable and dangerous. When I came out that’s what you were if you were gay. Now it’s not the same thing.

Was it different in the US and Europe?

Yes. In the US it’s very black and white. I was in New York most of the time and that was an island in the middle of a burning sea. And once you got out of that fortress it was totally different. A lot of my coming out was in London, because my father was living in England. And that was very rough. The English gay scene was a tough crowd. Very clandestine, brutal – and super sexy. (Laughs)

“Whether one wants to be sober or not sober or whether alcohol is bad or good - I don’t get into that sort of conversation.”

In London you once spent an infamous week that ended up getting you sent to rehab…

Yeah, I was partying a lot with Marianne Faithfull and my mother and I was at the tail end of what had been a 15-year flirtation with death.

You partied with your mother? Wasn’t she worried about you?

She wasn’t. She always told me, and everybody, “Rufus is a survivor and he wants to live and grow. I know that deep in my heart.” She was confident in that. And having her confidence behind me pointed me in the right direction.

Which in this case was rehab?

I ended up having to go to rehab, but that was great. I don’t preach any sort of doctrine. You know, whether one wants to be sober or not sober or whether alcohol is bad or good, I don’t get into that sort of conversation. But what I do think, that it is vitally important for everyone, whether you’re an alcoholic or not, to at least give yourself the chance to turn off the world and focus on yourself for a big chunk of time. Just to look at yourself, for a year or a few months. I was allowed to do that.

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Exclusive Interview with Will Preston

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PaperPlanes: What inspired you to pursue a career in music and what drives your passion for creating music?
 
Will Preston: Music has always been a part of who I am. I don't recall ever not humming or singing or interacting in some way with music and rhythm.  Growing up, I found it to be a powerful way to enjoy quiet time. I was writing songs and creating melodies long before I understood it as a profession.  It's hard to answer the question with a definitive response regarding the moment I knew that I wanted to write or sing because it doesn't really seem like a decision.  It was always in me.  After releasing my first project, It's My Will, pursuing a career in music felt natural.  I didn't approach releasing music with any solid expectations.  I was just excited about the process.  Discovering that music lovers connected with me as an artist became added fuel. What drives me is my personal passion for music, but I'm also inspired by the ability to create something timeless that resonates with people, whether it’s helping someone heal or simply giving them a moment of joy.
 
PaperPlanes: Can you tell us about your musical influences and how they've shaped your sound?
 
Will Preston: My influences are incredibly diverse, ranging from classic R&B legends like Luther Vandross and Gladys Knight to contemporary artists like John Legend, Allicia Keys, Eric Roberson, and others. I listen to practically all genres of music and enjoy a vast range of artists.  I think I've taken something valuable from the scope of diversity that translates into my artistry.  I also draw inspiration from writers like Lionel Richie, Babyface, and Stevie Wonder who are all masterful at telling stories through song, which is something that resonates with me.
 
PaperPlanes: What's the story behind your single “Merry Go Round”? Can you walk us through the creative process?
 
Will Preston: “Merry Go Round” is a deeply emotional song that captures the never-ending rollercoaster of a seemingly toxic relationship. It’s about the push and pull of love that’s hard to let go of, even when you know it’s not good for you. Writing the lyrics had an emotional intensity that evoked a duality of love and hate for the situation.  It's obvious that there is a strong connection, yet it's also very clear that they just can't seem to turn the tragedy into a fairytale.  As the line says, "It's insane we know the problem, but we just don't seem to care." I wanted the melody to reflect the intensity of the story. The vocal needed to evoke annoyance, inquisitiveness, pain, and even a dose of satisfaction.  I wanted listeners to feel the struggle and the vulnerability through every word and note.
 
PaperPlanes: How do you balance your artistic vision with commercial considerations in the music industry?
 
Will Preston: It’s a delicate balance, but I always prioritize authenticity. I believe if the music is genuine, it will find its audience. That said, I do stay aware of trends and what resonates with listeners, but I never compromise the core of my artistry for commercial success. Instead, I aim to create music that bridges the two—a sound that’s both relatable and true to who I am as an artist.
 
PaperPlanes: Can you describe your songwriting process? Do you have a specific approach or routine?
 
Will Preston: My songwriting process is organic and often starts with an emotion or a concept. Sometimes I’ll begin with a melody or a lyric idea that randomly pops into my head, and other times it’s a chord progression that inspires me. I like to let the music guide the direction of the song. I also draw from personal experiences or observations, which makes the music feel more authentic.  I rarely know ahead of time how the song will ultimately play out.  That's part of the excitement that I find in writing songs; looking back saying "Wow, that wasn't where I thought I'd take that."
 
PaperPlanes: Who are some of your favorite artists or bands that you've collaborated with in the past and what made those experiences meaningful to you?
 
Will Preston: Collaborating with other artists is always special because it allows you to see music from a different perspective. One of my favorite experiences was working with Eric Seats, a talented producer who brought out a side of my music I hadn’t tapped into before. We created a great song entitled "That Good Love". It’s those moments of growth and shared creativity that make collaborations so meaningful.  I also think back to my recordings with Funkee Boy.  He's not only a masterful producer but a brilliant musician as well.  Working with him is always a great time. 
 
PaperPlanes: How do you stay connected with your fans and build a loyal following?
 
Will Preston: I believe in genuine connections, so I make an effort to engage with fans through social media, live events, and even one-on-one interactions. Sharing pieces of my journey—whether it’s behind-the-scenes content or the inspiration behind a song—helps build a sense of community. I also listen to their feedback; knowing that my music has impacted someone brings me joy.
 
PaperPlanes: What's the most challenging part of being a musician and how do you overcome those challenges?
 
Will Preston: I don't have one specific challenge.  Minor things come and go.  It's just like anything else in life, you equip yourself with tools to deal with those things when they arise.  Nothing has been so overwhelming that it has caused me a great deal of adversity in the music industry.  I could say something like balancing creativity with the demands of the business side of music. I overcome these hurdles by staying focused on my purpose as an artist. I remind myself that it’s not about accolades or numbers but about staying true to my artistry and creating meaningful work that connects with people. Surrounding myself with a strong team and staying disciplined in my craft helps me stay grounded and motivated.
 
PaperPlanes: Can you tell us about any upcoming projects or tours that you have planned for the future?
 
Will Preston: I’m really excited about what’s coming next. “Merry Go Round" is a single from my upcoming album that is scheduled to be released in April. There are also plans for shows in the near future as we prepare for the album release.  This year also marks the 20th anniversary of my debut project, "It's My Will", and I'm planning some exciting things to commemorate that which I can’t wait to announce.  I've also recently launched my clothing line, My Best Interest Apparel (www.mybestinterestapparel.com) and that's been an exciting journey thus far.  It's going to be a busy year and an exciting one.  It’s always incredible to connect with fans face-to-face and bring the music to life on stage.  I'm definitely looking forward to it.
 
PaperPlanes: What message do you hope your music conveys to your listeners, and how do you hope it impacts them?
 
Will Preston: At its core, my music is about connection and emotion. Facets of love, life, and experiences.  I hope listeners feel seen, understood, and inspired when they hear my songs. Whether it’s helping someone process heartbreak or giving them a moment to celebrate, I want my music to leave a lasting impression and remind people they’re not alone in whatever they’re going through.  So often people say that it seems that I wrote a song specifically for them....and in that moment I always respond, "I did."
 

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