Jackson Wang Brings “MAGIC MAN 2” to Life in Brooklyn Highlights

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Three years after first taking over the stage at Barclays Center on his debut tour, Jackson Wang returned to the iconic Brooklyn, New York venue on Friday April 10 for another unforgettable night. The show delivered high energy moments while also giving fans a deeper look into Wang’s complex inner world.

The performance arrived nearly a year after the release of his third solo album, MAGIC MAN 2. In a previous conversation with Billboard, Wang shared that he stepped away for a year to reflect on his direction, not just as an artist but as a person. Through his alter ego MAGIC MAN, he dove into his identity, touching on the darker sides of the industry he experienced with GOT7 and as a solo act, alongside vulnerability and the process of understanding and accepting those emotions.

“I wish I could find peace,” Wang’s raw vocals echoed through the arena during “Everything.” “In my mind where the doubt and the pain intertwine/ I don’t know if the life that I’m living is mine.”

The 32 year old artist continues to prove himself as a powerful performer and creative force across his solo work. While his earlier albums are deeply introspective, what matters most to him is bringing joy to his audience.

During the show, Wang described the concert as an escape for everyone in attendance. He shared a message with the crowd during a hectic time, “The world is crazy right now. Everyone is stressed. I want you guys to treat yourselves better. [Being] selfish is not a bad thing,” before adding honestly, “Sorry that this concert isn’t as commercial as you thought.”

Check out the seven standout moments from Jackson Wang’s Brooklyn concert below.

1
Floating “High Alone” and dynamic choreography
Wang opened the show with a striking moment as he hovered above the stage during “High Alone.” For nearly half the track, he remained completely still while dancers circled beneath him like crows. Gradually, he shifted into slow and fluid movements before descending. The use of height continued throughout the set, with dancers from Kinjaz appearing to float at different moments. They also emerged from hidden doors dressed as different versions of Magic Man, making the persona feel ever present.

2
Special moment for fans
Online, Magic Man shows are known for Wang’s bold and intimate interactions with fans. During three unreleased tracks “Shadows on the Wall,” “Contact” and “Closer,” dancers invited four fans on stage to sit and be part of the performance. Some were clearly overwhelmed by the close interaction and choreography, but the Brooklyn crowd embraced the experience and played along with the moment.

3
Lights transformed the arena
Instead of traditional light sticks often seen at concerts from Asian artists, fans were given glowing accessories to wear on their fingertips, creating a more immersive atmosphere. During the softer track “Long Gone,” the entire arena lit up as fans waved their hands along with their phone lights. Holding a glass of Hennessy under a spotlight, Wang expressed his gratitude, saying, “Thank you for spending the time and effort to give me this opportunity to perform and share my stories for all of you.”

4
High energy all night
Wang made sure the energy never dropped, calling out sections of the venue that were not as lively as he wanted. “I understand the city is busy, but when you guys come here tonight, you better stand the f—k up,” he shouted before launching into the 88rising hit “TITANIC.” Even when shifting into the more relaxed track “GBAD,” he kept the crowd engaged, encouraging everyone to stay on their feet and sing along loudly.

5
A tribute to his beginnings
As the show slowed down, a heartfelt visual segment played, showing Wang’s journey from childhood to his early days in GOT7, his Coachella milestones, and the present. He spoke about the constant support from his parents. Several voicemails labeled “Dear:” played throughout the venue alongside a childhood photo of Wang with his family. When he performed “Sophie Ricky,” named after his parents, and “Made Me a Man,” he became emotional and was visibly moved by the moment.

6
A new era begins
Before leaving the stage, Wang hinted at what is next with his upcoming project. He revealed that the first track from the new era is “Sex God.” The song featuring Pusha T and produced by Pharrell Williams was first heard at the Louis Vuitton Fall Winter 2026 Show at Paris Fashion Week. Wang explained that it represents a shift away from the Magic Man identity. “That’s how you know, we don’t give a f—k anymore.”

7
A full on celebration to close
For his final show in the United States, Wang turned the stage into a massive celebration. He personally selected fans from different parts of the venue to join him, not just from the front rows but also from higher levels. Soon, the stage filled with people from all backgrounds, including viral dancers like thoseLEDGirls, devoted fans, and even partners of fans who came along for the experience. The encore turned into a nonstop party with EDM style versions of “BUCK,” “Access” and “GBAD,” and the energy in the room never slowed down.

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RAYE Stands by Promise to Wait for Love Before Next Album

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Raye has reaffirmed her decision not to begin work on another album until she experiences love, even if it takes as long as a decade.

The 28 year old singer from south London, known for her emotional songs about relationships and longing, made the statement not long after telling fans on TikTok that she feels exhausted from writing about heartbreak, dating struggles and being let down by men.

Speaking to The Times in an interview published on Friday (17.04.26), she said: “My third album, I think I’ve named it already.

“It’s going to be called And Then She Fell in Love. And I’m not writing a single song, whether it takes one year, five years, or even 10 years, until that part of my life actually happens.”

Raye recently released her second album This Music May Contain Hope.

Her comments to The Times follow a TikTok livestream she held at the end of March, where she told fans: “My third album is going to be called And Then She Fell In Love, and I’m not going to write a single song for that album, not even one, until I fall in love.”

Speaking honestly about her mindset, she explained that she no longer wants to keep writing songs rooted in heartbreak.

She said: “It’s enough of the ‘I’m single’ and ‘This guy did me wrong’ and everything that comes with that.

“I’m tired of writing songs like that. The end. No.”

She also told The Times that taking time away from making music to focus on finding love feels like a kind of “silent protest” for her.

Raye is not expected to turn to dating apps either, with her profile in The Times noting her approach to life: “She stays off the internet as much as she can and looks for answers in a Bible app, not cruising Instagram.”

It also shared: “During her darkest days at Polydor, misusing drugs and alcohol, she credited her Christian faith with helping her get through.”

Raye added: “Since stepping away from being online, things have felt a lot better. Not knowing everything can actually be a good thing. If someone said I looked terrible in a dress, it would affect me. But if I never hear it, then it doesn’t exist for me.

“So I’m really focused on staying offline.”

Raye, who was born Rachel Agatha Keen in Tooting, southwest London, also spoke about how hard she has pushed herself professionally.

She said: “Over the past two years, I’ve worked as hard as I possibly could.

“If I’m not performing, I’ve been working on this album. It feels like we’re in a time where if you slow down, people might forget about you or everything could disappear. And because I’ve worked so hard to get here, part of me feels like I have to keep going, keep feeding that momentum.”

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