MJ38’s Death to Self is a three-track rap ode to gifts of life

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With their newest project, the M and J of MJ38 have put together three rap tracks with banging beats and lots of metaphysics, hope, party time, distractions and ambition.

“Banging” is their word, but it’s objectively true. The beats bang.

Death to Self, we kind of spitballed about it a lot,” said Matthew. “Because it’s one of those things that feels right. As soon as we heard it, we were like, ‘Oh, I think that’s what the story is supposed to be called.’ And then we dove into it to understand it better.”

He continued, “Part of what it means is that we want less of us and more of God.”

“I feel like I get in my own way all the time,” said Justin, expanding on the theme. “Whenever I’m doing more of what I’m supposed to be doing, and less of what I’m trying to do, things go better for me.”

Which, it seems, is part of what they mean by “it feels right.” Is that their approach to music, too? Justin picks up the thread.

“I think that’s a fair assessment,” he said, “and also, I guess, it was the idea that it was something that was given to us, like the way that your name is given to you from birth.”

The “given” theme recurs when Justin is talking about his creative process. “There’s not really any pressing specific instances in life or anything that I’m trying to articulate. My typical music process is just to listen to the instrumental or listen to the beat over and over again until the song more or less presents itself to me.”

That is also a description of how they came up with their name, MJ38. Partly it was given — “We just kind of took the band name that was given to us through life,” said Justin — and partly it was branding considerations — easy to remember, easy to put on merch. Matthew’s number, 8, has followed him through life. Justin’s 3 resulted from some serious numerological calculation.

Their outlook, music, lyrics, message, all have a lot going into them. From “God’s Favorite”:

Uh, You don’t even really speak my language
But you thinking that we on the same shit.
Busy blowing blizzies in the spaceship, it’s amazing.
It’s amazing. Bitch I said I’m Him, I’m not mistaken
I’m Keanu Reeves up in the Matrix
Woke up feeling like I’m God’s Favorite
I’m his favorite, and it’s amazing.

Their take on hip hop and rap comes from San Antonio, Texas, where they live, make music and perform. They cite among their influences Kirk Franklin, Big Sean, Kanye West, Chance the Rapper, Jay-Z, J. Cole, Michael Jackson, Donald Glover (Childish Gambino), and Russ.

They kept Death to Self in three tracks as a business and artistic decision, as more accessible and audience friendly. All three tracks are different, each with its unique sound, cadence and tempo, said Justin.

“Mr. Jefferson,” he said, is slower and darker, “more brooding, but the saxophones lighten it up.”

“Soulful,” added Matthew.

Justin agreed. “A little more soulful, with the real instrument of the saxophone and some of the piano in the back, but it’s darker, harder,” he said, “like a dark purple kind of a beat,” thus adding yet another element to the metaphysical mix.

“Room,” said Matthew, “is awesome. The beat is heavily influenced by Big Sean’s ‘A$$.’ This song was intended as the club banger. The beat sounded like ‘A$$’ in our own mind, so, while we were in the studio creating it, there’s a point where Justin’s like, ‘Go stupid, go stupid.’ It’s a shout-out to Big Sean.”

“God’s Favorite” and “Room” are two more examples of things given. They were working with Nick Shan as the producer and, said Justin, “He was able to make both of those on the spot.”

Justin and Matthew describe “God’s Favorite” as “easy listening.” It has a soft instrumentation background, like a gently singing breeze.

“All the beats are more new school,” said Justin, “definitely not so much boom bap, or like ’90s, early 2000s hip hop. It’s more of a new wave sound, but it’s not over the top.”

If their approach sounds lackadaisical, it is not. They work hard at their music and they also have a regular podcast show on YouTube, and a podcast entity, MJ38 Productions.

Their ambition, articulated by Matthew, is “to go the top.”

“To the top,” repeats Justin, “or as far and as high as God will allow.”

“And part of it,” said Matthew, “is not just raw ambition, that I want to be the best, but I think that Justin and I have a specific and particular message that the world needs to hear.”

At least part of that message is to show artists who come after them that success is achievable, to “open up a route” for them, Matthew says, as other artists have opened up a route for MJ38.

Their approach is business-like, with the aim of producing “more music, more consistently.”

“That’s a better approach to marketing,” said Matthew.

To share in the musical gifts, stay connected to MJ38 on all platforms for new music, videos, and social posts.

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Dead Kennedys Guitarist Claims Jello Biafra Is Holding Back Potential Reunion

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Fans wishing for a reunion from the Dead Kennedys and Jello Biafra will have to petition the former singer, founding guitarist East Bay Ray has claimed.

Ray (whose real name is Raymond Pepperell) has served as the guitarist for the San Francisco punk icons since their formation in 1978, stepping away from his role only during the band’s inactive period between 1986 and 2001. 

Though the Dead Kennedys reformed in the 21st century, they’ve not once been fronted by Biafra, whose relationship with Ray and drummer Klaus Flouride (aka Geoffrey Lyall) remains fraught to this day. As Ray explained in a recent interview with Guitar World, he’s open to the concept of a reunion with the classic lineup, though Biafra remains the sticking point in any potential plans.

“It’s not an issue for me or Klaus,” Ray explains. “It’s Biafra that turns down any offers for us to do something; we don’t have any problem. He got caught with his hands in the till and wants to blame us for getting caught, but he should never have put his hands in there in the first place.

Ray’s claims relate to a 1998 lawsuit in which Ray, Flouride and drummer D.H. Peligro (aka Darren Henley, who would pass away in 2022) accused Biafra and his Alternative Tentacles label of withholding royalties. In 2003, Biafra was ordered by California’s Court of Appeal to replay the outstanding royalties with additional punitive damages.

Ray, Flouride and Peligro reunited the Dead Kennedys in 2001, with various singers fronting the band until the appointment of Ron “Skip” Greer in 2008. Attempts to reunite the classic members of the Dead Kennedys have taken place over the years, including by Chicago’s Riot Fest in 2017.

“Dead Kennedys had a sincere invitation to play a reunion show at Riot Fest in Chicago this fall,” Ray wrote on social media at the time. “Jello Biafra turned it down. Klaus Flouride, DH Peligro and I were looking forward to doing it.”

The Dead Kennedys’ original eight-year run resulted in a string of singles and four studio albums, including their 1980 debut Fresh Fruit For Rotting Vegetables. The conclusion of the band’s lawsuit in 2003 gave members the right to reissue past Dead Kennedys albums, including a 2022 release of their debut which left Biafra displeased.

“We actually wrote as a band, where in effect, due to the chemistry between us, it was a case of two and two equaling five, you know?” Ray rold Guitar World. “None of us has had a solo career that was bigger than Dead Kennedys, which, to me, shows the power of a bunch of talented people getting together and creating something that was far greater than the sum of its parts.

“Jello didn’t bring in the songs. I know he’s created the myth that he wrote them all, but the question here is that if he did, why didn’t he ever do anything significant after leaving the band?” he added. “Iggy left the Stooges and had a career; ditto Lou Reed with the Velvet Underground or Morrissey with the Smiths. Where’s Biafra’s solo career with a bunch of great songs?”

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