Penny Taylor Elevates His Sound with R&B Hit ‘Cuff’

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Hip-hop and R&B musician Penny Taylor drops his latest single, the catchy and vulnerable track, “Cuff.” Exploring a softer side with deep R&B roots, Penny Taylor unveils a side of his music that listeners are sure to love.

From a young age, Penny Taylor developed an appreciation for all different types of music. “Around age 7 or 8,” he shares, “I really started to enjoy music more than hearing it and it being background noise.”

What began as dabbling on Audacity with friends—trying to rap and imitate his favorite artists of the time—became a devotion to the craft. Not long after, Penny Taylor adding singing to his resume. “I moved towards singing because of the melodies,” shares the artist. “I don’t classify myself as a singer—I’m a harmonizer.” He slowly began cultivating his passion into a skill, and the rest is history.

Penny Taylor credits several musicians for impacting his work over the years, including Drake, J. Cole, Timberland (for production/beat making) and Kanye. “…Bryson Taylor, Party Next Door.. SZA is amazing… there’s so many I can name that I pull inspiration from,” adds Taylor.

How was the name, Penny Taylor, born? At the time, Penny was intrigued with 50 Cent and the number one. The combination culminated in the name coming together. “Friends started calling me ‘Penny.’ I adopted the last name from Wiz Khalifa and the Taylor Gang group. It just stuck.”

Known for his hip-hop sound, Penny Taylor ventured into R&B for the creation of his latest record. “Cuff” isn’t just a single. It’s the best song Penny Taylor has ever made, and he intended for it to be so. “I really wanted to create the best song I ever made if I included a well-structured song with lyrics and something catchy that could be played in summertime, wintertime, any time of the year. Something that could be enjoyed by different demographics.

Listening to beats, Penny Taylor came across the instrumental that would soon become “Cuff.” The beat sets the tone for a catchy hook, which informed the rest of the song. “It’s funny, because I actually had the pieces of the song made from different songs and pieced them together to fit the beat / theme of the track,” adds Penny Taylor. “Typically, I listen to the instrumental, and it’s a feeling. The beat has to speak to you. If you can’t have a conversation with it, then it’s difficult to write to it. It might be the second or third or however many beats you go through, but then the words come out of you. For this one, I didn’t have to try too hard to find the words—there were kind of just there.”

“‘Cuff’ came about because I wanted to challenge myself to make a hit record with the R&B side of myself,” shares Penny Taylor. “I’m definitely happy and grateful the listener gets to enjoy it and get what they take from it. I’m cook with whatever they get from the song, even if it’s the feeling evoked when the listen to it.”

So far, the feedback for “Cuff” has been overwhelmingly positive. “People have loved the song. I’ve heard things like, ‘this is a hit. This is a platinum record,’’’ shares Taylor. “It’s surreal. It’s crazy that I wrote this thing completely and so many people enjoy it. That’s what’s special to me. I often think, ‘I used to do this in my bedroom on a laptop and I wasn’t good, just trying my best.’ From that to this is insane.”

Penny Taylor is enjoying the moment, weaving through the unfamiliar territory that comes with widespread success. In addition to the release of his single, Penny Taylor looks forward to bringing his show to live audiences.

Make sure to stay connected to Penny Taylor on all platforms for new music, videos, and social posts.

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Divorce Open Up About Moving Forward As A Duo

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Divorce have spoken to NME about “evolving” and moving forward as a two-piece – revealing that they have been writing new music with plans to release it soon.

The Nottingham alt-country band dropped their critically acclaimed debut album ‘Drive To Goldenhammer’ in March last year, and it went on to be named as one of NME’s favourite debut records of 2025.

After playing live across the globe throughout the year, the band confirmed earlier this month that drummer Kasper Sandstrom and lead guitarist Adam Peter Smith had made the decision to leave the line-up.

In their statement, they confirmed that the decision came as they “need to prioritise our personal lives more”, and also added that bandmates Felix Mackenzie-Barrow (singer/guitarist) and Tiger Cohen-Towell (singer/bassist) will continue as a two-piece and launch “a new era for the band”.

At the Ivor Novellos last week (Thursday May 21), both Mackenzie-Barrow and Cohen-Towell spoke to NME about their new chapter and said that while they are still adjusting to the change, the songwriting has always been done by the two of them, so it hasn’t affected their dynamic too much.

“It’s always been like that songwriting-wise, but it’s a change, for sure,” said Mackenzie-Barrow. Cohen-Towell added: “We’re just really excited for the future though, and we’re excited for people to hear everything we’ve been up to."

After teasing that there is “plenty of” new music “not too far away” from being released, the duo touched upon the sound of the upcoming material, and said that although the dynamic has changed, they will not be deviating too far from the sound that fans have come to expect.

“I think we are always evolving… and it’s natural for artists to just develop through their trajectory,” Cohen-Towell told NME. “We’re just going to do what’s right for this era, and we’re not specifically planning on a big relaunch or anything… it is just going to be what we want to do in this current climate.”

Tiger Cohen-Towell of Divorce (2025), photo by Ed Miles
Tiger Cohen-Towell of Divorce. Credit: Ed Miles for NME
 
Felix Mackenzie-Barrow of Divorce (2025), photo by Ed Miles
Felix Mackenzie-Barrow of Divorce. Credit: Ed Miles for NME
As for when we can expect to hear new music, the former NME Cover stars said that it has always been in their nature “to try things out live” and integrate things into their gigs to see the audience’s response.

“We start live shows again this summer, and we’re really looking forward to that,” Mackenzie-Barrow said. “We’re playing some really intimate shows along with festivals, and it’s always fun to try new stuff out in those environments. It’s a good way of road-testing the songs.”

At the start of last year Divorce appeared on 2025’s NME 100, and went on to spend last summer smashing the festival circuit following the release of ‘Drive To Goldenhammer’.

Speaking to NME for The Cover last year, the band opened up about their time starting out in Nottingham’s grassroots music scene with a “self-sustaining” community of artists.

“When you don’t get a lot of outside interest, you don’t have much choice but to make it yourself,” Mackenzie-Barrow said. “Sitting in the van on your way to a show and looking around at these friends that you have, sitting in the garden in the house where we wrote the songs, having dinner together. Those are the moments that feel like success.”

Since then, Mackenzie-Barrow has launched a new solo project under the name Book Of Churches and dropped his first album under that moniker in March.

The duo’s upcoming tour dates include joining Mumford & Sons at their BST Hyde Park show on July 4 before playing Splendour festival in their native Nottingham on July 19. Visit here for tickets and more information.

Speaking to NME about the BST gig, Mumford & Sons frontman Marcus Mumford said: “I would like to thank NME for introducing me to the band Divorce. They’ve just become one of my favourite bands in the world. We invited them out on tour with us. I saw them on an NME cover. I’d never heard of them but now we’re fucking obsessed with them. They’re fucking incredible and more people should hear them.”

 

Divorce were nominated at the Ivor Novellos for the Rising Star award this year alongside fellow former NME Cover stars Kwn and Chloe Qisha, and BBC Sound of 2026 winner Skye Newman. The award ultimately went to Jacob Alon, who also took home the Best Song Musically and Lyrically trophy for ‘Don’t Fall Asleep’.

Other winners at the 2026 awards included CMAT who won Best Album, Fraser T Smith and Kae Tempest who nabbed Best Contemporary Song, and Sam Fender being named Songwriter Of The Year.

Rosalía was also crowned International Songwriter Of The Year, while Radiohead’s Thom Yorke was handed the Academy Fellowship award by Harry Styles, and George Michael posthumously received the Academy Fellowship.

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