Crackout Interview

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The Bucks based trio's first album, 'This is Really Neat', was recorded during a 6 week trip to Texas after which they embarked on their first UK headlining tour. Along the way they mastered the art of the three-minute punk rock sizzlers. The new album ‘Oh No' sees a new dawn in the Crackout story. We caught up with founder member Nick to find out more.


M-N: The album was recorded during 2003.....why the long delay in its
release?


Nick: The label were concerned it would be put out too close to Christmas and then it'd get lost amid the slew of 'Best of' releases that always seem to populate the release schedules at that time of year.

M-N: Do you always play as a 3 piece or have you other musicians on stage?

Nick: Just us 3.

M-N: The Robert Smith connection - what appeals about the early Cure records like '17 seconds' and 'disintegration' which obviously have affected your music?

Nick: They have written some beautiful songs.

M-N: Does the association trouble you in anyway?

Nick: Nope, unless persons claim we have deliberately set out to sound like them. A lot of people say Steven sounds like Robert Smith, but I think it has more to do with the fact they're both from the home counties and therefore just have very similar voices. They also both have voices that sound influenced more by jazz singers than your usual rock influences, to my ears anyway: the way they both phrase and their often improvisational approach to treating melody lines is very jazz, rolling up to notes and falling off them, playing around with the rhythm, keeping it loose.

M-N: What's the secret in writing a good catchy 3 minute song?

Nick: Get the La's album.

M-N: Can you explain the chorus of insect song (next single I believe)

Nick: It's a nonsense song. Steven thought it'd be good to write a song about
insects.

M-N: How do you see yourselves as having progressed from the first album and was the follow up a difficult one as in true tradition of the follow up?

Nick: We think we've progressed a great deal, and it appears to be most peoples' opinion too. The difficulty was trying to get rid of the inhibitions of feeling we had to do rock because that's what we did before. Pretty much a whole album was written after the first record and then was scrapped because it was too much like a hard-ish rock band trying to stay that way when they really weren't into that as much anymore. As soon as we let ourselves be ourselves it was easy, and the recording itself was so, so, easy....it helps having a great production team who you're very good friends with. Still we had some feeling of 'we better put a rock bit in here'; for the next album, I think, we will be totally ourselves with no inhibitions whatsoever.

M-N: Crackout is just a great name. Is it termed as in 'the beers' or
'part of the female anatomy in full view'?


Nick: I don't like the name, I suppose it is better than something worse than that though, but not as good as something better. It's nothing to do with cracking out the beers, if it was alcohol based and my way we'd be called
'Get The Flutes Out I Have A Nice Spot Of Bubbly In The Fridge.' And female anatomy ... no.

M-N: Conversely, something more imaginative than 'oh no' could have been better?

Nick: Now I have to disagree again - I like the album title. We used a lyric as the title for the first album, and so we did it again this time, and 'Oh No!' is repeated at the end of the first track on it. The choice was a bit inspired by the cheeky Blue Note album titles from the 1950/60s - like 'Good Gracious!', 'Finger Poppin!', 'Wahoo!', 'Hey There!', 'Into Somethin!', 'Out to Lunch!', etc. The use of exclamation marks is imperative.

M-N: What sort of music are you into to at the moment?

Nick: As a band we're listening to Paul Simon, XTC, Bill Evans, Dexy's Midnight Runners, Bill Frisell, Frank Sinatra, Yeah Yeah Yeahs, Wayne Shorter, the La's, et al.

M-N: What's your proudest musical moment to date?

Nick: When our press agent and booking agent were at the studio having a just finished 'Oh No!' played to them and receiving their responses. Suffice to say they were pleasantly surprised, and we had a fine magnum of Tattinger in the fridge too which definitely made it a better moment, maybe not prouder, but better without a shadow of a doubt.

M-N: Are you playing any of the summer festivals?

Nick: Good question. One would hope so.

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Screenwriter And Musician Lamar Woods Returns To Music With Flavorful Sophomore Album, ‘Highly Sensitive Person’

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Authentic, humble, creative, and genius—these words capture the essence of screenwriter and musician Lamar Woods. His latest work, the sophomore album Highly Sensitive Person, released earlier this year, reflects his extraordinary talent and a perfect start to the year.

Highly Sensitive Person showcases Woods’ ability to blend genres with finesse. The album’s 19 tracks weave together hip-hop, jazz, soul, folk, and R&B elements, creating a rich and immersive listening experience. For example, “True Love Will Find You In The End”—a cover by Daniel Johnston—commences with warm acoustic guitar and Woods singing before a trap beat emerges mid-song, and he unleashes his bars. This shows that Highly Sensitive Person is a sonic roller coaster with unexpected twists and turns, keeping you on your turns.

“I wanted to do an album that bangs the whole way through,” Woods explained. “Like if I was Costco, this was a little taste of me (like samples), every version of me. I’m from Atlanta, so I love trap music, and I love trap beats…I don’t really rap on them a lot. I was just like, ‘Maybe we just throw it on there even though it didn’t technically really fit with the album that much.’ But I like the idea of being like, ‘Ths is also a part of me.’ There’s a trap part of me. There’s that boom-bap part of me. There’s the folk part of me. There’s a love song part of me. I wanted that album to feel like you’re really getting to know me because if you knew me if we were to hang out and talk about music, we’re talking about everything…like Langhorne Slim, Arcade Fire, Boldy James, Jazz and Miles (Davis).”

Woods has crafted a sonic landscape that feels both nostalgic and innovative. His lyrical flow, paired with the thoughtful inclusion of skits—an often overlooked art form in modern rap—adds a unique dimension to the album. Drawing from his experience as a screenwriter, Woods uses these skits to enhance the storytelling within the album, creating vivid scenes and narratives with fellow comedians like actor Mike Mitchell that deepen the listener’s engagement. He encourages his listeners to listen to the entire album in order.

Woods’ dedication to music has been unwavering since high school, where he formed a band that performed a unique blend of rap, hip-hop, and punk. His commitment to his craft was evident in the vibrant music scene of his city, where he performed at local venues like The 5 Spot, Eddie’s Attic, and Smith Ole Bar, building his underground following. After graduating from Georgia State University, Woods fearlessly relocated to Los Angeles to pursue a career in Hollywood, temporarily putting his music on hold. However, his dedication to music never wavered, and he found success as a screenwriter, contributing to notable shows such as Grand Crew (NBC), Brooklyn Nine-Nine (NBC), Single Parents (ABC), New Girl (FOX), and Survivor’s Remorse (Starz). He co-wrote and starred in It’s a Party, available on Roku and Amazon.

Like many, the 2020 COVID-19 pandemic became a turning point for Woods as he felt pulled back to his musical roots. Although he hesitated to pursue music again, he couldn’t deny his first love. This reconnection led to the release of several EPs and LPs, including his debut album, Wine Bars, in 2021. Building on this momentum, Woods released Highly Sensitive Person in 2024, an album that further cements his place in the music world.

Highly Sensitive Person is just a semblance of Woods’ talents. The Atlanta-bred is getting ready to expand and showcase just how versatile his music palette is with upcoming projects listeners must look forward to.

Listen to Highly Sensitive Person here.

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