New ‘Becoming Madonna’ documentary to bring a “fresh perspective on an enduring icon”

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A new documentary about Madonna – Becoming Madonna – will bring a  “fresh perspective on an enduring icon”, according to a statement from Sky.

As per Deadline, Sky has green lit a feature that will “chart Madonna’s rise to become the biggest female pop icon in history” via rare footage, unseen photos and “intimate interviews with family, friends and collaborators – some of whom have never spoken in a documentary before.”

The film is described as “an immersive, archive driven film built around a cache of recently uncovered audio tapes in which a young Madonna reflects on her extraordinary life and career.”

The programme will show her rise from a young professional dancer in the late ‘70s to one of the biggest musicians in the world.

A statement read: “When Madonna arrived in New York City from Michigan with dreams of becoming a professional dancer, it was the start of an incredible journey. This film charts the period 1978-1992 as Madonna dramatically transformed herself from insecure 19-year-old outsider to the most controversial pop star in the world, with the astonishing publication of her erotic photography book Sex.

“These were the heady years during which Madonna came of age as a person and an uncompromising artist. Through her fiery conflicts with the conservative establishment in the 80s and 90s, the film powerfully evokes a time where traditional views on sexuality and gender roles were being audaciously challenged and Madonna was always at the vanguard.

Madonna
Madonna – CREDIT: Kevin Mazur/WireImage for Live Nation via Getty Images

“Previously unseen archive sheds new light on the personal tragedies that fuelled Madonna’s drive, re-examining the early death of her mother and those of her dance teacher Christopher Flynn and close friend Martin Burgoyne, both of whom died during the AIDS epidemic of the 1980s.Through their stories, we see Madonna in a new light: smarter, more radical and more vulnerable than anyone at the time gave her credit for.”

Hayley Reynolds, Sky’s Acting Director of Documentaries and Factual, said in a statement: “Since her debut in the 80s, Madonna has been a powerhouse in pop music and carved the way for many of today’s most popular artists.

“This film brings a fresh perspective on an enduring icon and we’re thrilled to be working alongside Optomen to bring her story to Sky audiences.”

Nick Hornby, Co-CEO of Optomen, added: “We’re so grateful to the team of Sky Documentaries for backing us on such a bold and audacious film.”

Madonna recently shared her frustrations over the development of her long-gestating biopic after meeting with producers and agents in Los Angeles.

Last Monday (November 18), Madonna took to Instagram to share a post about the future of her biopic – titled Who’s That Girl – that has been in the works for four years. She wrote: “After struggling for days in LA, listening to producers and agents tell me why I couldn’t make my film — (I been working on it for 4 years!!!) downsize-down scale – think smaller – they say — I realised that everything in my life is going to be challenged.”

She continued: “I guess I should be grateful.. It forces me to think outside the box. I did not have a normal life. I cannot make this in the normal way… We cannot shrink and make ourselves smaller… Should I make the story of my life into a series or a feature film?”

The update comes after the legendary singer-songwriter revealed in July that the biopic was back in the works after spending some time on the shelf, and that she’s been rewriting the script on her own. She is also set to direct as a way to stop “misogynistic men” from telling her story.

Who’s That Girl is being titled after her 1987 album of the same title – but is not to be confused with her 1987 comedy film that shares the same name. The biopic was initially scrapped in January last year, stating that the reason may be due to her 40th-anniversary ‘Celebration’ tour, which kicked off in July 2023.

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Bill Skarsgård’s ‘Nosferatu’ vampire fit was inspired by The Rolling Stones’ Mick Jagger

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Bill Skarsgård’s Nosferatu vampire fit was inspired by The Rolling Stones’ Mick Jagger according to a new interview.

The movie, which is set to release on December 25 in the US and January 3 in the UK, is a remake of the 1922 film of the same name, which in turn was based on Bram Stoker’s gothic horror novel Dracula. Directed by Robert Eggers, it stars the likes of Skarsgård alongside Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson and Emma Corrin.

The film’s costume designer Linda Muir has now opened up more about the inspirations behind Skarsgård’s outfit in the film, which she says drew from Jagger.

Speaking to IndieWire, the designer said she had fun creating the costume for Skarsgård’s Orlok saying his coat was “more of a cape, like Dracula”.

She continued:  “And then he has underneath a beautiful dolman, which is like a tunic…And that is layered and layered and layered. It has patterned silk, and I tried to choose textiles that have a lot of gold threads because I knew [cinematographer] Jarin [Blaschke] would be using firelight and candlelight and this beautiful moonlight. So things that could twinkle and reflect back to us to give the shape of an outline.

“And then he has kind of Mick Jagger trousers,” she added, “which are mustard-coloured, kind of shiny gold thread, skin-tight trousers and a beautiful sash at his waist. And then he has the coolest footwear. He has leather. They’re like mules, so a slip-on. But for safety and comfort, they gave Bill another 4 inches or so in what is already a really beautiful, thin, tall outline.”

Skarsgård also had to wear a harness next to his body because of the heavy weight of his cloak, heat, and prosthetic makeup. “So we tried to make it so that we could release him as quickly as possible,” Muir continued. “We cooled him off between takes, in between setups, and not tire him out from walking around with this. It also had to look effortless, like he wouldn’t fall off, like it’s mesmerised onto his shoulders, and magical, too.”

The first reviews of the film arrived recently and it received much praise from critics.

Courtney Howard, a member of the Los Angeles Film Critics Association, said that Nosferatu “goes harder than any other horror film this year,” and calls it a “gorgeous grotesquerie of dread-infused terrors and a divine dark delight.”

She described Skarsgård’s Count Orlok as “pure sinister nightmare fuel” and calls the movie Depp and Hoult’s “best work to date”.

Fellow film critic Carlos Aguilar added: “After a few months I can finally share I loved Nosferatu. It further crystallizes Eggers’ exploration of evil as an elemental force, as inherent to existence as desire, emerging from the same divinity as kindness. It’s so inextricable from us, fighting it demands great sacrifice.”

Nosferatu is set to be Eggers’ fourth feature film, following his 2015 debut The Witch, 2019’s The Lighthouse, and 2022’s The Northman. It’s been a long time in the making, too, with an Eggers-directed remake first announced back in 2015.

NME gave The Northman a five-star review, writing: “If there’s one criticism to be made, it’s that the more avant-garde moments sometimes turn tedious. Dafoe is best when he’s freaking out, but an early rite-of-passage sequence that ends in an orgy of burping and farting seems silly – even if it does soften up the viewer for a shocking plot twist.”

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