Charles Barton paints reflective soundscapes with his single “Lost Space”

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Charles Barton is an electronic music artist who creates emotional and reflective songs. His latest track, Lost Space,” is a minimal house and pop song that you can sit back and relax with but also get up and dance to. The atmosphere Charles crafted is centered around the whirlwind of emotions people can go through as they lay in bed at night.

When creating Lost Space,” Charles wanted to capture a floaty feeling of being lost in your mind. By combining synthesizers and gentle percussion, the floating journey eases into an energized outro. The outro captures the controlled chaos of thoughts fully taking over the mind.

When I was writing the lyrics, I was thinking about the times in my life when I’ve been trying to sleep but that anxious feeling is still there. It’s that experience of being lost in the stress. The lights are out and your mind is going crazy. Part of it is also surrendering to these feelings temporarily because fighting them is even harder. Sometimes you just have to let your mind do what it’s going to do,” he said.

His upcoming project, Grey Thoughts contains other tracks that deal with internal thought processing. There are songs centered around identity that discuss how people view themselves and how others view them and how these two perspectives can overlap together in moments of reflection.

You’re in this gray space of having those outside influences but also your own feelings and thoughts. You’re caught between them,” he said.

In addition to the reflective soundscapes Charles creates, he also does something unique with his electronic music - he adds acoustic elements. With his background being the symphony orchestra world, Charles is well versed in a variety of instruments including guitar, violin, clarinet and unique woodwinds like the ocarina. By adding these acoustic elements, he aims to enhance the texture of his music with warmth.

I like building the electronic soundscape and then bringing in the acoustic elements to add color, texture and an organic feeling. I don’t want it to feel too saturated with the digital sounds,” he said.

While the electronic music world is known for pulse pounding club music, Charles purposely sought out to do the opposite with Lost Space.” By creating something with a slower tempo, he wanted to give people something different from both a tempo standpoint and a song structure standpoint. The track does have a hook, an entrancing vocal loop from Charles himself, but it has no verses.

I wanted to play around with the idea of a non-traditional song structure. I wanted to do lyrics that are just the chorus. I was thinking of doing something simpler that people can still enjoy and appreciate the unique chorus focused aspect of it,” he said.

In addition to his solo music, Charles has also worked with multiple vocalists, especially ones from the R&B world. When collaborating with vocalists, Charles says he lets himself become the background” and allows the artist to step into the foreground. In a literal sense, his production is the background for the artist’s vocals but he is also providing the sonic bed for those vocals.

Charles Barton is looking forward to releasing Grey Thoughts soon. He has plans for more music too which will take a different route sonically and have a new special aspect.

Lost Space” by Charles Barton is available on streaming services now.

You can hear more of Charles Barton’s reflective music by keeping up with him on these platforms.

Website | Apple Music | Spotify | Instagram

The Starlight PR Team thanks Charles Barton for taking the time to speak with us. 

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Exclusive Interview with Cam Ezell

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Artist Spotlight: Cam Ezell

Sonically, “Game of Roulette” leans into big, funky textures that give a subtle nod to the spectacle of Las Vegas. Listeners will experience that sense of flash and chance in both the instrumentation and the lyrics. The production balances groove with restraint, mirroring the push and pull at the heart of the song: the thrill of the bet, the risk of staying in the game, and the tension between control and chaos.

Our conversation with Cam Ezell takes us inside the mind of a creative powerhouse — and what continues to inspire them.

PapersPlanes: Where do you find inspiration for your lyrics and melodies?

Cam Ezell: I use my personal experiences as a starting point and then put a more relatable spin on it to become lyrics. Lyrics typically come first for me. Then, I head to the piano and plunk out keys to come up with a melody. This takes a lot of trial and error, but I know right away when I’ve found the right melody for the lyrics.

PapersPlanes: How do you handle writer’s block or creative slumps?
 
Cam Ezell: I accept that I don’t have any ideas at the moment, and I don’t try to force anything. I go about life and eventually something pops into my head.

PapersPlanes: What comes first for you: the music or the lyrics?

Cam EzellThe lyrics typically always come first. I am constantly thinking of ideas or lines and writing them in my Notes app on my phone. 

PapersPlanes: Do you ever revisit old songs to rework or find inspiration?
 
Cam Ezell: Yes, most of my songs stem from lines or ideas that I’ve written down that I fuse together to create more powerful lyrics or a stronger story for the song. However, I try not to dwell too long on the lyrics because overworked lyrics are never as good. 

PapersPlanes: How do you typically come up with ideas for new songs or projects?
 
Cam EzellThe majority of my ideas stem from personal experiences. 

PapersPlanes: What inspires your creative process, and what sparks your imagination?
 
Came Ezell: I use my personal experiences as a starting point and then put a more relatable spin on it to become lyrics. Lyrics typically come first for me. Then, I head to the piano and plunk out keys to come up with a melody. This takes a lot of trial and error, but I know right away when I’ve found the right melody for the lyrics.

PapersPlanes: Do you have a favourite method or technique for generating ideas, such as freewriting or brainstorming?
 
Cam Ezell: I am constantly jotting down ideas on my phone. I then have a big list of thoughts to pull from when I am ready to compile complete lyrics. My best ideas usually come to me relatively quickly, and so it doesn’t take long for me to write a song. When I have to brainstorm to come up with lyrics, I am typically not as happy with the result.

PapersPlanes: How do you approach combining different genres, styles, or influences in your music?

Cam Ezell: As a new artist, I am currently exploring that and having fun working with different sounds and chord progressions to blend pop/rock and R&B.
 
PapersPlanes: What personal qualities do you think are most important for a musician to have?
 
Cam Ezell: Patience, determination, consistency, and a true passion. The industry does not always provide immediate gratification, so you have to love what you do and keep pushing forward.

PapersPlanes: How do you continue to improve your musical skills and knowledge?
 
Cam Ezell: I go to industry networking events to learn about others’ experiences, and I continue to learn a lot from the producers and sound engineers that I collaborate with.
 

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