Kylie Jenner returns to her King Kylie roots with ‘Fourth Strike’ debut

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Back in 2016, Kylie Jenner appeared in a dramatic Kylie Cosmetics campaign launch for a new line of lip glosses. In the ad, she played a getaway driver waiting outside while her friends grabbed the cash. The video was set to “3 Strikes,” the debut single from a mysterious pop group called Terror Jr, later revealed to be a project from members of the Cataracs. The clip ended with Jenner, who denied at the time that she was part of the group, speeding away in a car with the license plate KngKylie.

Now, King Kylie and Terror Jr have returned with “Fourth Strike,” a new single released to celebrate the 10th anniversary of Kylie Cosmetics — and this time, Jenner is officially part of the song.

This marks Jenner’s first official music release. She has launched profiles on Spotify and Apple Music under the name King Kylie, reviving the 2010s persona she built during the era of Snapchat filters, bright hair colors, and overlined lips. The single arrived alongside a teaser trailer showing what happened to King Kylie and her crew after their getaway — and the twist is that they got caught.

In the video, detectives question present-day Jenner in a deposition. “We’ve got you on multiple counts of being the baddest bitch on Earth, slaying 24/7, just being an all-around impressive young lady,” one of them says. To the shock of her old accomplices still locked up, she is released. Waiting outside is Kris Jenner in a Rolls-Royce with the same KngKylie plates and a glove compartment filled with the upcoming Kylie Cosmetics lip gloss collection.

“Fourth Strike” itself doesn’t make much of an impact, similar to many pop songs from the mid- to late-2010s. Jenner’s vocals appear only in the bridge. “One strike, two strike, let me get the mood right/I just wanna tell you, ‘I’m sorry’/Touch me, baby, tell me I’m your baby,” she sings with a flat delivery. “Write your name all over my body/Cross the line, I might do it again/Do it on purpose just to see how it ends/King Kylie.”

Even with all the hype surrounding the King Kylie comeback, it’s clear Jenner seems more focused on selling lip gloss than launching a music career. And honestly, that might be for the best.

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Yung Miami blasts Tyla for copying her song

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It looks like a new feud might be unfolding, and this one is catching a lot of people off guard. It involves Florida rapper Yung Miami of City Girls and Afropop star Tyla. The tension is centered around a track that Yung Miami has been teasing for quite a while now but has yet to release.

The song doesn’t have an official name, but fans seem to be calling it “Chanel” based on the short clip she shared. It’s a loud, confident trap anthem inspired by the luxury fashion label, and it has a lively, catchy vibe. In the snippet, Miami repeatedly says, “Take me to Chanel.”

It seems Tyla may have taken inspiration from the idea, at least from Yung Miami’s point of view. Alongside Miami’s preview, there’s a clip of the South African artist performing something similar in theme but very different in sound, leaning into her signature Afrobeats and amapiano style.

On the hook of her upcoming single, the “Water” hitmaker sings, “Put me in Chanel.”

That line sparked Yung Miami’s frustration, and she voiced it on X, where Pop Base gathered her emotional posts about the situation.

She began by indirectly pointing fingers. “This girl really ran off with my song and ion know how to feel about it mind you I played this song for this girl.”

She continued, “Like…. B*tch I’m confused! Take me to Chanel > put me in Chanel.” Fans at first weren’t sure who she was referring to. Then someone pointed it out, writing, “PSA - It is Tyla! She has a new song called Chanel. The chorus is ‘Put me in Chanel, Put me in Chanel.’”

Miami confirmed that this was correct, replying, “Let’s talk about it!!!!!” Some people criticized her for holding onto the song for too long before releasing it. But she quickly shut that down, saying, “Don’t matter it’s my mf song!!!”

Others on social media argued that the two tracks are too different for her to be upset, pointing out the variation in lyrics and production. “There’s nothing to talk about Miami. She says ‘put me’ and you say ‘take me.’ Even the beat or tempo are different.”

It remains to be seen how things will unfold and whether Tyla will speak out after being accused of hearing the song beforehand.

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