Ray Rogerss shares his authentic lifestyle with “Paul Frank Hat” from his new EP Thanks in Advance

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Ray Rogerss is a rapper who makes music about his experiences. Sitting comfortably within the lifestyle rap lane, everything he says is something that happened or will happen to him. His new EP, Thanks In Advance, is aptly titled and the closing track “Paul Frank Hat” is one that echoes the themes heard throughout the project.

Ray is a part of a collective called All Money Good Money, often simply abbreviated to AMGM. This collective is also the label he and his labelmates release music through. The name of the collective takes the old proverb “All money isn’t good money” and flips it simply by removing one word. For Ray and his labelmates, all their money is good.

“We started in 2018/2019. They’re really like family to me. It’s what I stand by. It’s a movement and it’s the label. All the money is for us and it’s good because we worked hard for it.” he said.

Ray’s approach to music is one built on commitment to the craft and excelling at the craft with the technique that works for him. Finding an approach that works for you and produces the best results is key when it comes to making music. Writing and recording “Paul Frank Hat” was a testament to this process.

“I go into every song with the mindset of just being me. I wrote half of it and freestyled half of it. Sometimes I’ll write things down and just punch in and punch out. Whatever the best approach is, I get it done.” he said.

The track “Paul Frank Hat” was produced by Rxkz and features a tranquil melodic loop on which Ray brings an equally tranquil yet confident flow. The hookless freestyle-esque track recaps the reality of life for Ray as he shares how he lives life his way.

“I talk about things that I do. I don’t believe in being a person that I’m not. Just talking about life on a daily basis for me is lifestyle rap and whatever that entails is what I’ll talk about.” he said.

When speaking with Ray, he made an analogy between making music and basketball that will likely resonate with those who love both.

“I treat the booth like a basketball player treats the gym. I go in, get my shots up and make sure I get them up often…when you do anything, once you set the goal for it, you have to lock in and get it done.” he said.

The mindset of confidence and authenticity runs through the music that Ray puts out in every aspect. He makes it his way and lets people decide how they’re going to receive it. He understands the aspect of relating to his audience but at the same time, he puts out the music he wants to put out and lets the audience formulate their own perspective on how they’re going to take it.

“If people like it then I’m glad but if they don’t I’m not going to let that discourage me. The ones that are supporting me and riding for me are the ones I’m riding for. They’re the ones the title of this EP is for.” he said.

The cover of Ray’s EP, Thanks in Advance, pays homage to the iconic blimp from Scarface that read “The World is Yours.” The title of the EP addresses Ray’s listeners directly, thanking them for getting him to the point he’s at now and other points he’ll reach as he continues to grow and reach more success as an artist.

“It honestly started with that imagery of that blimp from Scarface. That mindset of looking from the bottom up and thinking that the world is yours, I believe that’s something everyone can relate to. As far as the title goes, whether people know it or not, when they listen to my music they're becoming a part of my journey. So I’m just thanking them in advance for being a part of it.” he said.

Ray Rogerss EP, Thanks in Advance, which includes the track “Paul Frank Hat,” is available on streaming services now.

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Ashton Pierce Captures Intimacy and Introspection in New Single “Playhouse” from Debut Album Under Pressure

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Los Angeles, CA — Rising R&B singer-songwriter Ashton Pierce continues to make waves with his debut album Under Pressure, a deeply personal collection of songs that chronicle his journey of growth, ambition, and self-discovery. Among its standout tracks, “Playhouse” has quickly emerged as a fan favorite, blending playful energy with piercing introspection.

The Chicago native, who moved to Los Angeles at just 17 to pursue his passion for music, describes his sound as “R&B that’s mentally pop with a hip-hop feel.” His commitment to authentic storytelling is evident across Under Pressure, and nowhere more so than in “Playhouse.”

The song was born out of an unexpected moment of inspiration. “That particular song—I was listening to Ruin off Usher's album. It’s like an amapiano song. And it was right when Tyla’s Water came out, so the whole amapiano vibe was kind of in my heart,” Pierce recalls. “My producer and I went to the studio, made the beat, and I came up with the melodies. I had no idea what the song would be about until my best friend visited unexpectedly. He started venting about his girl problems and said, ‘We’re always good at playing house.’ That line inspired the song.”

That offhand comment became the emotional core of “Playhouse,” a track that balances lighthearted flirtation with a more reflective undertone. “I think Playhouse is the perfect example of finding that balance—introspection with a fun, flirty nuance,” Pierce explains. “One of my favorite lines is, ‘Nostalgia filter on your pictures in my phone, guess we’re both still learning how to let go.’ That’s very introspective, but the overall vibe of the song is, ‘I love it when you come to play.’ I always try to add levity when I’m being introspective. I don’t want to go full-on sad-boy vibes all the time.”

The writing process itself also proved memorable. “Recording and writing the lyrics after that conversation with my friend,” Pierce says, was the most rewarding part. “For a day or two, I only had the melodies in my head with no words. Once I got the chorus—‘Can we play house’—the rest came together easily.”

Like many of his songs, “Playhouse” began with melody before lyrics. “Usually, yes,” Pierce says of his process. “But it depends. For example, ‘NDA’ and ‘Talk U Thru It’ started with the titles—I knew I wanted songs with those names, and the rest fell into place later. Normally, though, I let the melody guide the song.”

That instinctual approach threads through Under Pressure, a project Pierce calls both a coming-of-age story and a nod to his own past. “Backstory—my nickname in high school was Pressure. My name’s Pierce, so people called me Pierce Pressure because allegedly I peer pressured people. I don’t remember doing that, but it stuck. When I was writing the album, it felt like a coming-of-age story made under pressure. Being independent isn’t easy—studio time, production, everything—so the title felt personal and full circle.”

From reimagining a late-80s New Jack Swing track in “Spread My Wings” to experimenting with storytelling in tracks like “Biopic” and “NDA,” Pierce embraces versatility while keeping emotional truth at the center. “Writing for myself is more personal, and I think it produces better songs,” he notes. “For my own music, I use vivid personal experiences and imagery because I can say whatever I want.”

As he reflects on his debut and looks ahead to future projects, Pierce is clear about his mission as an artist: “That there’s a new R&B guy in town, bringing back catchy, listenable melodies that make you move but also mean something lyrically. Every song says something.”

With “Playhouse,” Ashton Pierce proves that small moments can spark big stories—and that his voice is one to watch in today’s evolving R&B landscape. “I hope you enjoy the music and find something relatable,” he says. “I want the lyrics to tell stories you can connect with—whether that’s feeling better, missing someone, or reaching out to an ex. I just hope the project evokes emotion. And yes, there’s more music coming.”

Listen to “Playhouse”
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