San Diego Rock Band The Reckless Release High-Energy New Track “What Could I Give”

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San Diego–based rock band The Reckless debuts new single “What Could I Give.” It’s the kind of track built for big moments—anthem rock with a sweeping chorus that begs to be sung back at full volume. Shimmering guitar tones drift in over a steady, heartbeat-like rhythm section, giving the song a sense of urgency, while the spacious production sets a cinematic atmosphere and mood. The mix balances grit and clarity—layered guitars push the rock edge forward, while airy reverb and dynamic swells create an expansive soundscape.

“Our genre of music is all about rock. We have ballads, aggressive metal, punk songs - you name it. We have an alternative Red Hot Chili Peppers-style song and even have one reminiscent of The Strokes or what you might hear on college radio. ‘What Could I Give’ is more of a pop punk rock song, but again, if you like rock music of any sort, I’m sure there’s a song in our catalog for you,” shared Fritz Fayman, lead singer and guitarist.

Lyrically, “What Could I Give” taps into a raw sense of yearning and vulnerability. The words explore the tension between desire and limitation, painting a picture of someone striving to offer everything they can while grappling with feelings of inadequacy. There’s an intimate honesty in lines that oscillate between hope and doubt, giving the song a relatable, almost confessional quality. Coupled with the band’s soaring chorus and dynamic instrumentation, the lyrics don’t just tell a story—they make you feel it.

“I always encourage people to find their own meaning in it, but for us, we wrote the song from a place of grappling with the challenge of seeing other artists succeed while wrestling with our own progress,” continued Fayman. “Along with that frustration, there’s also this self-directed anger, as the thought pops up: shouldn’t we be genuinely happy for them? That tension comes through in one of the lines: ‘I wake up every day thinking I’m not all that close.’ It’s something we all struggle with, and everyone can relate. We all know how it feels to see the highlight reels on social media and start questioning yourself. That push and pull, the ups and downs of trying to make it in this business, is really what the song is about for us.”

As far as the business of making music, the band thrives on collaboration. A rough demo or skeleton of a song might start with one member, but it quickly becomes a full-band effort. In rehearsals and jam sessions, everyone contributes their parts, while ideas and feedback flow freely. There’s constant communication and a real sense of shared ownership—decisions are made democratically, even when opinions run strong, making every song a true group effort.

“We mostly record everything ourselves, especially since our drummer has a studio setup at home, but we also work with Cottee Embry a lot. He’s a great mixer and mastering engineer, and we’ve been working with him ever since I brought this group of guys together back in 2023,” said Fayman.

The band’s current lineup didn’t happen overnight. The story starts during COVID, when Fayman found himself with unexpected free time and a drive to make music. What began as a solo project quickly evolved as Fayman sought the energy of a full band. Over the next couple of years, he tried out a rotating cast of players, searching for the right chemistry. By the end of 2023, everything clicked: Fayman on lead vocals and guitar, John Kelly on lead guitar, Riku Myllykoski on drums, and Michael Kennedy on bass, with both Myllykoski and Kennedy also contributing backup vocals. With this lineup, the band finally hit its stride, blending individual voices into a cohesive, collaborative force ready to bring their music to life.

“The name ‘The Reckless’ actually started as a joke back in college,” Fayman explained. “Whenever one of us did something wild or silly, someone would say, ‘Oh, that’s so reckless.’ Over time, it stuck—and it became a way to capture both the fun, goofy side of what we do and the serious, energetic presence we want on stage. It just felt like the perfect name for the band.

While an official album isn’t on the immediate horizon, the band already has a full set of songs ready, with new music set to drop every month and a half to two months. They’re also hitting the road with a few live shows, including the annual Adams Avenue Street Fair in San Diego on Saturday, September 20, and a November 21 performance with Dirty Mondays at Harvard & Stone in Los Angeles.

The band has drawn fans to well-respected venues across San Diego County, as well as Los Angeles, Arizona, and the Bay Area, including SOMA, The Holding Company, The Viper Room, The Mint, and more. Their most recent project, the EP “Who Are You,” dropped in spring 2025 and racked up over 100,000 Spotify streams within its first few months. If you haven’t yet discovered The Reckless, check out their latest single, “What Could I Give,” on all major streaming platforms, and follow them on Instagram and TikTok for news and updates.

 

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Ashton Pierce Captures Intimacy and Introspection in New Single “Playhouse” from Debut Album Under Pressure

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Los Angeles, CA — Rising R&B singer-songwriter Ashton Pierce continues to make waves with his debut album Under Pressure, a deeply personal collection of songs that chronicle his journey of growth, ambition, and self-discovery. Among its standout tracks, “Playhouse” has quickly emerged as a fan favorite, blending playful energy with piercing introspection.

The Chicago native, who moved to Los Angeles at just 17 to pursue his passion for music, describes his sound as “R&B that’s mentally pop with a hip-hop feel.” His commitment to authentic storytelling is evident across Under Pressure, and nowhere more so than in “Playhouse.”

The song was born out of an unexpected moment of inspiration. “That particular song—I was listening to Ruin off Usher's album. It’s like an amapiano song. And it was right when Tyla’s Water came out, so the whole amapiano vibe was kind of in my heart,” Pierce recalls. “My producer and I went to the studio, made the beat, and I came up with the melodies. I had no idea what the song would be about until my best friend visited unexpectedly. He started venting about his girl problems and said, ‘We’re always good at playing house.’ That line inspired the song.”

That offhand comment became the emotional core of “Playhouse,” a track that balances lighthearted flirtation with a more reflective undertone. “I think Playhouse is the perfect example of finding that balance—introspection with a fun, flirty nuance,” Pierce explains. “One of my favorite lines is, ‘Nostalgia filter on your pictures in my phone, guess we’re both still learning how to let go.’ That’s very introspective, but the overall vibe of the song is, ‘I love it when you come to play.’ I always try to add levity when I’m being introspective. I don’t want to go full-on sad-boy vibes all the time.”

The writing process itself also proved memorable. “Recording and writing the lyrics after that conversation with my friend,” Pierce says, was the most rewarding part. “For a day or two, I only had the melodies in my head with no words. Once I got the chorus—‘Can we play house’—the rest came together easily.”

Like many of his songs, “Playhouse” began with melody before lyrics. “Usually, yes,” Pierce says of his process. “But it depends. For example, ‘NDA’ and ‘Talk U Thru It’ started with the titles—I knew I wanted songs with those names, and the rest fell into place later. Normally, though, I let the melody guide the song.”

That instinctual approach threads through Under Pressure, a project Pierce calls both a coming-of-age story and a nod to his own past. “Backstory—my nickname in high school was Pressure. My name’s Pierce, so people called me Pierce Pressure because allegedly I peer pressured people. I don’t remember doing that, but it stuck. When I was writing the album, it felt like a coming-of-age story made under pressure. Being independent isn’t easy—studio time, production, everything—so the title felt personal and full circle.”

From reimagining a late-80s New Jack Swing track in “Spread My Wings” to experimenting with storytelling in tracks like “Biopic” and “NDA,” Pierce embraces versatility while keeping emotional truth at the center. “Writing for myself is more personal, and I think it produces better songs,” he notes. “For my own music, I use vivid personal experiences and imagery because I can say whatever I want.”

As he reflects on his debut and looks ahead to future projects, Pierce is clear about his mission as an artist: “That there’s a new R&B guy in town, bringing back catchy, listenable melodies that make you move but also mean something lyrically. Every song says something.”

With “Playhouse,” Ashton Pierce proves that small moments can spark big stories—and that his voice is one to watch in today’s evolving R&B landscape. “I hope you enjoy the music and find something relatable,” he says. “I want the lyrics to tell stories you can connect with—whether that’s feeling better, missing someone, or reaching out to an ex. I just hope the project evokes emotion. And yes, there’s more music coming.”

Listen to “Playhouse”
Listen to Under Pressure

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