Citizen Jim’s New Bilingual Single “Tossed Away” Tackles Social Issues and Global Themes

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Greek electric rock band Citizen Jim unveils their new single “Tossed Away,” blending English and Greek lyrics for the first time as they expand their reach to a worldwide audience. Charged with relevance to today’s turbulent socio-political climate, the track challenges the very systems we rely on — drawing stark parallels between schools and prisons, which can both serve as cages and spaces for learning, shaped as much by the institution as by the individual. Within this lens, “Tossed Away” digs into the brutality of primitivism, the pull of tribalism, and even stretches into a critique of anthropocentrism: the belief that humans are the central force on Earth.

“The lyrics jump from topic to topic — the absence of spirituality and esotericism, fear, ignorance, the looming specter of war, and even ecological collapse,” shared lead band member Politis Dimitris. “As far as the education system, it’s something I noticed studying psychology, and something we reflected in the lyrics: ‘schools are prisons and prisons are schools.’ Education is extremely important - in theory, it’s awesome; it seems to be the best we can do as a society. But in practice, it doesn’t always work. People can actually be turned off by it. Those who have knowledge are often isolated. On the other hand, in prison, you can still learn a lot, even though it’s a harsh environment.”

The music itself mirrors the song’s deeply inquisitive and introspective themes. “Tossed Away” takes an experimental electronic approach, with an arpeggiated bass synth forming the backbone, while the drums provide a second core layer for guitars and vocals to unfold. A standout moment comes in the mid-ambient breakdown, where spiraling echoes, reverbs, and alternating filters transform the synthesizers, before the full instrumentation gradually cycles back in and fades out, creating a layered, immersive listening experience.

“Musically, we’re always trying different things. There aren’t any tracks on the album with this direction; we only have one in this style. It starts with a rock style and then develops into an electronic sound. We’ve only done this once before, so this is the second time,” said Dimitris.

“Tossed Away” is the third single from their latest album Dreamcatcher (Oniropagida in Greek). The record mixes Greek and English songs with Tossed Away” as a striking bilingual track, another in English, and the rest in Greek. Lyrically, it marks a notable evolution for the band, particularly given that Dreamcatcher is their sixth album, since they first began making music together in 2017.

“As far as producing, we haven’t worked with a specific producer yet — we write our own material and then go into the studio to record. It’s all independent,” continued Dimitris. “We always know the energy we’re looking for in the studio, but in the end, it all depends on the band and the choices each member makes — from the sound to the instruments. We do work with two specific engineers, and this song was recorded with the one we’ve collaborated with the most.”

The track’s video was created by artist Thetis Parmenidou and features puppetry drifting through a cosmic landscape. It blends fragmented 2D collages with a recorded puppet performance, seamlessly stitched together with visual effects and montage techniques. The result evokes archetypal storytelling, using roleplay to explore how history is remembered and interpreted.

“Thetis is incredibly talented. We trust her very much. This is the fourth video we’ve done with her. She and I brainstormed the concept and developed it together. Many of the ideas came from me, but she brought them to life, edited them, and created an entirely new world,” enthused Dimitris.

In addition to their new single, music video, and latest album, the band is keeping busy with a packed schedule. They have a festival coming up in Athens, Greece, in just two weeks, a mini-tour in Japan this November, and two more concerts before the end of the year — including a release show in December. On top of that, they’re already planning a European tour for as early as spring 2026.

Citizen Jim was started by Politis Dimitris, who serves as the band’s lyricist and second guitarist. “Citizen” reflects both a personal and collective desire to engage with social issues, while “Jim” hints at the band’s global outlook, drawing from the anglicized version of Dimitris. What began as Dimitris’s solo project has since evolved into a full-fledged band, rounded out by a lead guitarist, bassist, drummer, and keyboardist, each contributing to the group’s dynamic and eclectic sound.

On what he hopes listeners take away from his music, Dimitris offered a thoughtful reflection: “I hope to make people think about something they wouldn’t have before listening to the song. I don’t want to make people feel depressed — I hope it’s more of a positive engagement than a negative one. Art for art’s sake is fine; sometimes I enjoy something light, like a comedic movie. But I believe it’s more important to create art that feeds the soul and helps you grow as a person.”

 

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Ashton Pierce Captures Intimacy and Introspection in New Single “Playhouse” from Debut Album Under Pressure

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Los Angeles, CA — Rising R&B singer-songwriter Ashton Pierce continues to make waves with his debut album Under Pressure, a deeply personal collection of songs that chronicle his journey of growth, ambition, and self-discovery. Among its standout tracks, “Playhouse” has quickly emerged as a fan favorite, blending playful energy with piercing introspection.

The Chicago native, who moved to Los Angeles at just 17 to pursue his passion for music, describes his sound as “R&B that’s mentally pop with a hip-hop feel.” His commitment to authentic storytelling is evident across Under Pressure, and nowhere more so than in “Playhouse.”

The song was born out of an unexpected moment of inspiration. “That particular song—I was listening to Ruin off Usher's album. It’s like an amapiano song. And it was right when Tyla’s Water came out, so the whole amapiano vibe was kind of in my heart,” Pierce recalls. “My producer and I went to the studio, made the beat, and I came up with the melodies. I had no idea what the song would be about until my best friend visited unexpectedly. He started venting about his girl problems and said, ‘We’re always good at playing house.’ That line inspired the song.”

That offhand comment became the emotional core of “Playhouse,” a track that balances lighthearted flirtation with a more reflective undertone. “I think Playhouse is the perfect example of finding that balance—introspection with a fun, flirty nuance,” Pierce explains. “One of my favorite lines is, ‘Nostalgia filter on your pictures in my phone, guess we’re both still learning how to let go.’ That’s very introspective, but the overall vibe of the song is, ‘I love it when you come to play.’ I always try to add levity when I’m being introspective. I don’t want to go full-on sad-boy vibes all the time.”

The writing process itself also proved memorable. “Recording and writing the lyrics after that conversation with my friend,” Pierce says, was the most rewarding part. “For a day or two, I only had the melodies in my head with no words. Once I got the chorus—‘Can we play house’—the rest came together easily.”

Like many of his songs, “Playhouse” began with melody before lyrics. “Usually, yes,” Pierce says of his process. “But it depends. For example, ‘NDA’ and ‘Talk U Thru It’ started with the titles—I knew I wanted songs with those names, and the rest fell into place later. Normally, though, I let the melody guide the song.”

That instinctual approach threads through Under Pressure, a project Pierce calls both a coming-of-age story and a nod to his own past. “Backstory—my nickname in high school was Pressure. My name’s Pierce, so people called me Pierce Pressure because allegedly I peer pressured people. I don’t remember doing that, but it stuck. When I was writing the album, it felt like a coming-of-age story made under pressure. Being independent isn’t easy—studio time, production, everything—so the title felt personal and full circle.”

From reimagining a late-80s New Jack Swing track in “Spread My Wings” to experimenting with storytelling in tracks like “Biopic” and “NDA,” Pierce embraces versatility while keeping emotional truth at the center. “Writing for myself is more personal, and I think it produces better songs,” he notes. “For my own music, I use vivid personal experiences and imagery because I can say whatever I want.”

As he reflects on his debut and looks ahead to future projects, Pierce is clear about his mission as an artist: “That there’s a new R&B guy in town, bringing back catchy, listenable melodies that make you move but also mean something lyrically. Every song says something.”

With “Playhouse,” Ashton Pierce proves that small moments can spark big stories—and that his voice is one to watch in today’s evolving R&B landscape. “I hope you enjoy the music and find something relatable,” he says. “I want the lyrics to tell stories you can connect with—whether that’s feeling better, missing someone, or reaching out to an ex. I just hope the project evokes emotion. And yes, there’s more music coming.”

Listen to “Playhouse”
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